Art In The Blood

Chapter Four

IT WAS NEARLY two-thirty by the time I'd dropped off Marza and Madison, saw Bobbi safe into her hotel apartment, and said good-bye. I had hours yet before dawn and these were always the hardest to fill. Bobbi invited me to stay, but she was exhausted, so I left her to her well-earned sleep.
The streets were fairly empty: only the odd carload of party goers hooting past and an occasional lonely figure wrapped against the night and out on God knows what business. I was driving north again and for the second time that week parked close to the Nightcrawler Club and walked up the steps past the big doorman. He nodded once at me, perhaps because someone had clued him in on Gordy's preferential treatment. It was his version of a polite greeting.
There was a new singer working with the band, a pretty brunette with a feisty manner. Whoever did Gordy's booking knew talent. I passed by the club and went through to the casino without trouble. The games were still going strong and would continue until either the money 09 the night ran out. I recognized a slab-faced blackjack dealer and sat at his table for a hand or three.
His mug was immobile, but he couldn't control his heartbeat, which I was able to hear well enough. It thumped just a little faster whenever he got a good hand. I didn't consider my listening in on his reactions to be cheating. This was just using my unnatural abilities to help ease the odds in my favor. Not all the cards were good, but when I left the table I was a sweet two hundred ahead. It'd make a nice Christmas present for my folks when the time came.
The man in the money cage said Gordy was in his office, maybe. I didn't bother to ask for an escort through the back door of the casino into the halls beyond, but one of the boys followed-just to make sure I didn't get lost, he told me.
"You gotta 'pointment?" he asked, eyeing the lines of my suit for hidden weapons.
He wasn't sure if I required a frisk or not, my level of importance to his boss had yet to be established.
"Didn't know I needed one just to visit."
He looked vaguely familiar and I wondered if he'd been one of the boys who put a knife into Escott last month. I was about to ask, but the office door opened and Gordy told him to get lost. It was just as well.
"What's up?" He motioned me in and I took my usual chair.
"Nothing much, had a question or two."
"Maybe I'll answer." He sat behind his desk this time and I studied the rural landscape behind him. It certainly looked like Leighton Brett's work to my uneducated eye.
"Know anyone named Dimmy Wallace?" I asked.
"Small-time bookie and loan shark."
"Doesn't sound like much."
"He isn't. Why you want to know?"
"He's squeezing a friend of mine dry with interest on a debt he's already paid."
"It's a tough world."
"You know where I can find him?"
"I might. Who's your friend?"
"Some artist, not much sense and less money, but likable."
"Gambler?"
"Yeah. He's losing money he doesn't have."
"Name?"
"Evan Robley."
Gordy socked the name away into his memory, that much passed over his deadpan face. "You won't have to find Dimmy, I'll get the word out."
"What'll you do?"
"Tell Dimmy he's screwing 'round with a friend of mine and to lay off. I'll let some others know Robley's a bad credit risk, make it harder for him to place a bet in this town. I don't need my own bookies stretching themselves on a mark with no bucks.
They got enough troubles as it is."
"Thanks, Gordy, I didn't expect you to-"
" 'S nothing. How's Bobbi doin'?"
"Just beautiful, finished a job tonight at a swank home by the yacht basin. Marza did the piano and they had a string quartet for in between sets."
"Marza, huh? That broad's like sandpaper on a cut."
"I know what you mean. The guest of honor was this big-time artist, I think he may have done the paintings you have here."
Gordy's eyes traveled the walls automatically. "That'd be something, wouldn't it?"
"He doesn't remember doing them, though. I sort of promised I'd see if he had or not."
He lifted a hand. "Feel free."
I did. None of them had Brett's distinctive signature. I turned the woodscape over and just saw the name of the framers. "Did you get them from a gallery?"
"The decorator's. They had a stack of these in a bin and I picked what I liked best."
"An oil like this was in a bin?" Even I could see some work had gone into it.
"That's what I wondered, but the lady there said people pick art to go with the color of their sofa. You Figure it."
"It's too screwy to figure, I'll pass." But it did sound pathetic and I could visualize hundreds of would-be Rembrandts daubing away to produce acres of mediocre canvas for the public just to make their rent payment. The difference in Gordy's case was the quality of the work. These were something I could live with, and I hadn't liked the stuff in Leighton Brett's home.
"What decorators?"
"Place downtown, they're in the book."
It was another swank place, but then between the club and casino Gordy could afford it. At this hour of the morning it was very firmly closed, not that that stopped me. I had nothing better to do. Going to an all-night movie or tiptoeing around the house so as not to wake Escott had no appeal at the moment. I slipped inside the street door of the decorator's and scented the air.
No watchman, but it wasn't exactly a bank. The average thief isn't interested in pieces of fabric or carpet patterns, and the chances of cash on the premises were slim. I prowled through pseudo-living rooms, looked at pictures on display, and found the bin of oil paintings Gordy mentioned. Several bins, in fact: unframed canvases of all sizes, with every kind of art style from every period, they were determined to please everyone. A few were signed, but most were anonymous, which bothered me. Either the artists were too modest or not proud enough. One or two were interesting, but I didn't find any that resembled Brett's style.
The office was locked, which was no problem; I just slipped inside. The desk drawers were also locked. Problem. Breaking the drawers open wouldn't be very nice and I didn't have Escott's talent for undetectable burglary. One of these nights I'd have to ask him for a few basic lessons. My curiosity wasn't that urgent, though, and neither was Brett's, as far as I was concerned. He could have the name of the place and run his own investigation.
Escott wasn't home when I woke up the next night, but he'd read my note and gotten the requested cash from his hidden safe. Because of the big crash, neither of us trusted banks, and because of his association with me, we'd both ended up with a parcel of money that needed a cache. His solution was to purchase an extremely solid safe and then carefully hide it.
He had a passion for secret panels, hidden doors, and similar camouflage, and the skill to indulge himself. The original basement steps were made of wood, hardly more than a scaffold running along the wall. He thought they were too rickety for regular use and had a contractor come in and build something considerably more solid. He was careful to choose bricks that matched those on the outside of his house and then went to some effort to age them so that they would look like pan of the original construction. He supervised the whole thing and even tried his hand at bricklaying, then paid off the workmen before they had finished the job.
He lugged the safe into the dead space under the stairs and started building up the courses. By the time he was finished, the safe was sealed in for the life of the house, but by pushing on a certain brick, four square feet of a solid-looking wall pivoted open, giving one complete access to the combination lock and door. He piled a few pieces of old furniture around the stairs to complete the effect of a derelict area. It was a neat job and he was proud of it.
I had the combination, but usually had him play teller whenever I needed money because he was particular about preserving the dust around the opening. When I checked, there was no evidence he'd touched the area in months, but the cash was in an envelope on the table next to my earth-lined cot. I switched the money to my wallet, picked out some clothes, and went upstairs to call Adrian.
Sandra answered.
"I thought you might be home by now," I said after identifying myself.
She had an unmistakable smile in her voice, which was very interesting. "No, Adrian insisted we stay a little longer, just in case. I don't mind."
The way she was looking at Adrian last night certainly supported that statement.
I told her I was dropping by in an hour and to let Adrian know about it. She said yes, hung up, and then I called Bobbi.
"Want to meet the man who's going to immortalize you?"
"I've only been waiting all day. No offense," she added.
"None taken, I'll be right by."
My last call was to Leighton Brett, and I left the name of Gordy's decorator with one of the maids. From there on he was on his own.
Bobbi was dressed in a beautiful cream-colored suit with touches of brown velvet on the lapels and wrists. The hemline was low enough to be in fashion, but high enough to maintain a man's interest; the neckline deep, but not scandalous. She looked perfect, and all I wanted to do when I saw her was rip off the wrappings and carry her to the nearest couch for some serious fooling around. I settled for a kiss of greeting for the moment and escorted her down to my car.
We were both full of talk, the kind of happy nonsense that all lovers indulge in.
She was still flying high from her job last night and her agent was arranging yet another radio spot.
"Will it be national again?" I asked.
"I don't know yet, but I've got that local broadcast next Saturday. Will you come to the studio and watch?"
"Just try and stop me. Need a ride there?"
"Of course."
"Marza, too?" This was less enthusiastically offered.
"Not this time, she has a job elsewhere that night."
"Gee, that's too bad."
"Admit it, Jack, you're ready to turn handsprings."
"Not really, I'd have to stop the car first."
I parked in Adrian's drive just behind his black coupe and opened Bobbi's door.
"You nervous?"
"A little. I can't help but wonder about his wife."
The thought had occurred to me as well, but there wasn't much I could do about the situation. We walked up to the front door, which was immediately opened by Sandra. She'd exchanged her party clothes for some wide-legged slacks and a bright scarf to keep her curly hair in place. She had a dust cloth in one hand, a spotted apron around her slim waist, and looked very domestic except for the impishness in her eyes. She let us in and I did introductions.
"You're just in time for fresh coffee." She led the way to the kitchen, which had changed considerably since last night. The curtains were clean and the clutter cleared. You could actually sit at the table and see what it looked like. "It's funny, but it's so much easier to clean someone else's place than your own. Cream and sugar?"
Bobbi had a cup, I politely begged off. "I hope this wasn't too disruptive for you."
"What? Getting yanked out of my own home in fear for my life? Whatever gave you that idea?"
I thought of telling her it was all right to go back, but decided it would be best to let Evan know first. He may have had a rough time from Sandra today about his shortcomings and would be glad for some good news to give her.
"It hasn't been so bad, and I think the company's been good for Alex, but I'll want to go back soon."
"Too much housework?" asked Bobbi.
"Not enough paint. I never feel good about myself unless I paint a little each day, and cleaning isn't very spiritually fulfilling, if you know what I mean."
Bobbi commiserated, then I asked about Adrian.
"He's in his studio. He's been getting things ready since he got up this morning.
I'm so happy to see him starting work again. This is what he's needed for so long."
"I should think the magazines would still want his art."
"They do, but since the... since his wife died he's refused their commissions. He'd shut himself away for so long we were afraid he'd never come out. I hope this will help him to do it."
"So do we. How's Evan doing?"
"He's got some awful bruises, but seems to feel all right. He's in the studio helping Alex. The place has been shut tight since January so there was some cleaning to do."
"If we've come too soon-"
"Not at all. Alex said this was the business meeting and he'll want to set up a schedule for the sittings with Miss Smythe. I'll take you through now."
The studio was just off the kitchen, a very large room seamlessly added onto the original lines of the house. A bank of high windows ran along its north wall to catch the light. They were open even now but covered with long white curtains that moved with the night breeze like lazy ghosts.
Except for an overstuffed couch and chair in the center, all the furnishings were geared toward Adrian's work. On one end were two slanted drawing tables, one with a light arranged beneath it to shine up through its translucent top. Other, more obscure equipment lined the walls and a huge network of shelving held his supplies and finished work. In the center of the room was his easel, heavier and more complicated than the ones the Robleys owned. I felt like an intruder in a sorcerer's cave.
"Jack!" Evan looked up from his beer and hobbled over. His eye was still swollen shut and the area around it was gorgeously colored. "Recovered from last night, eh?
Boy, was that a party or what?"
"Bobbi, this is Mr. Robley..."
He took her hand and tenderly kissed the back of it. "Evan to you, my sweet, and I'm your slave for life."
"Which is hardly an asset," said Adrian, stepping forward. "I'm Alex Adrian, Miss Smythe. I enjoyed your singing at the party very much." He neatly slipped her hand away from Evan and shook it, then mine. "Please come in." He gestured at the sofa and pulled up an old chair for himself. He looked different from last night; less formal and guarded. His manner with Bobbi hinted at the possibility of some considerable personal charm.
Sandra disappeared and Evan puttered in the background of the studio while we worked out the less artistic details of creation. There was some discussion on the size of canvas to be used and how to pose Bobbi.
"I'm not sure," she confessed. "You're the expert. Have you a recommendation?"
"Yes," Evan said promptly.
"Be decent for once," Adrian warned.
"What I recommend is a neoclassic version of Goya's Maja Desnuda with less surrounding background."
"I told you to be decent."
"Well, she can leave her clothes on, of course! It's the pose I'm talking about-that air of sensual relaxation. If you don't pick up on that, Alex, I swear I'll come in and paint it myself."
"You may try."
" What kind of pose?" asked Bobbi, carefully separating the words.
Adrian smiled. "Evan is suggesting I do a full-length portrait of you reclining on pillows. The choice of what to wear or not wear is entirely up to you, though."
"Oh, good," she said in mock relief.
The next point to work out were the sittings, something I'd have to miss since they'd be during the day for the sunlight. Evan's input had its effect and Bobbi asked if it would be all right if she could bring a friend along to watch. Adrian had no illusions about her wish for a chaperon, but then he had no objections, either.
"Three sittings, then," he announced. "An hour or so each should take care of it."
"But shouldn't it take much longer? I thought these things went on for weeks."
Evan broke in again. "Not with an expert like Alex and his style of work. What you're paying for is all the training he soaked up in the fancy French art institute he went to."
"And you should go there, Evan."
"There's a difference between an institute and an institution, no, thank you.
Besides, I don't speak French."
I gave Adrian his half payment in an envelope. He seemed to approve of the straight cash and made out a receipt, which concluded the business meeting.
"If you've the time," he said, "I can make a preliminary sketch right now, just to block in the general form."
Bobbi glanced at me. I shrugged and nodded. Adrian had me move off the couch, produced a pillow, and told Bobbi to get comfortable. She suppressed a grin and relaxed back on the pillow. Adrian stood off a few feet, returned, and adjusted the position of her arm and backed off again.
"There's some strain on the line of the neck," Evan observed.
Adrian took the suggestion and tilted Bobbi's head a little. When he was satisfied he pulled one of the drawing tables from the wall and went to the storage shelves for a huge sheet of clean paper and a stick of charcoal. He made a half dozen sweeping lines and added a few precise strokes for details.
His face was totally different now that he was focused on the work. I saw serenity as well as concentration. Evan and I no longer existed for him; all that was important was his eye, his hand, and the model.
He reached a stopping point and had Bobbi come over for a look. Evan and I crowded in as well. The sofa had turned into a chaise lounge covered in plump pillows, but not so much that they overwhelmed Bobbi's reclining figure. She was languid but with an alertness in her eyes that seemed to dare the viewer to come closer. Her clothes were more suggestive of sweeping robes than the smart suit she wore, but anything else would have been inappropriate for the mood he was setting up.
"Is that what you see?" she asked.
"On a good day, yes. Will it do?"
"Absolutely. If this is the sketch, I can't wait to see the finished painting. This is like magic."
"Evan, I've some prepared canvas somewhere..."
"Yeah, I put them... I'll get them." He rooted around and produced several sterile white canvases, already stretched and nailed over wood frames. Adrian chose the largest and put it on the massive easel.
I thought he'd repeat the sketch on the canvas, but instead he look a pin to the paper and punched tiny holes through it along all the major lines.
"What's he doing?" I whispered to Evan.
"It's how he transfers the sketch," he whispered back.
When he's got enough holes in it, he'll position the drawing where he wants on the canvas, then hit at it with a small bag of charcoal dust. The holes allow the dust to leave a guide mark for him to follow."
"Why not just draw on the canvas?"
"Too hard to clean off if you should change your mind about something."
The sketch drifted to the floor as he shifted his attention to the canvas, and I could see now how he was able to keep up with the demands the magazines had put on him. Only a few more minutes passed and he added in all the necessary details.
Bobbi's face appeared out of the blankness. taking on expression and life.
He stood back again, studying it with a critical eye, but was apparently satisfied.
"That will do for tonight, tomorrow I'll see to the underpainting, and you can come by the day after for the first sitting."
"I still can't get over the speed," she said.
Adrian found a rag and scrubbed at the charcoal dust clinging to his fingers.
"Most of the time involved has to do with allowing the paint to dry-at least that's how it is for the way I work. All I ask is that after the final varnish dries you take it to a decent framer."
"We wouldn't do anything less."
Bobbi was looking with interest at some of the painted canvases stacked in slots and asked to see them, and Adrian obliged. Evan said he wanted another beer and invited me for one as well. I again turned down the offered drink, but tagged along to the kitchen.
"I've got some good news for you," I said as he searched the icebox. "I talked to a friend of mine and he's telling Dimmy to lay off on the interest payments."
He stopped cold. "Say that again."
I repeated it.
"Who's your friend?" he asked with amiable suspicion.
"Someone with an interest in art. He knows Dimmy and said he'd fix it. You and Sandra can probably go back home now."
"Honestly?"
"True blue."
"How in the world did you do it?"
"Well..."
"Never mind. Perhaps it's better I don't ask, you shouldn't question miracles, they're too few and far between." He popped the cap from a brown bottle. "This is great, really. I don't know what to say-except thanks-and that I don't plan to go home just yet."
"Yeah?"
He glanced around to see if anyone was in earshot and lowered his voice. "It's Sandra. You see, she's, well... it's her and Alex. You know... last night." He took a swig off the beer. "I was a bit out of things, but not that far out. Maybe I'm supposed to get upset since she's my sister, but she's a big girl now and-"
"Why should you stand in the way of romance?"
"Exactly! To tell the truth, I'd like to see her safely married or whatever to whoever-or is it whomever? Anyway, having Alex for a brother-in-law can't be much worse than having him for a friend, and she could do worse herself. Besides, it would get her out of my hair, that awful little walk-up we live in, and into his hair and a very cozy house, which is just what she needs."
"I hope it works out for you."
"Same here, so I won't come out with the glad news for a while yet, and I'm going to be fairly well oiled or at least look like I am before I turn in tonight to give them plenty of opportunity for more innocent sinning."
"Very considerate, but if you don't mind a personal question-
"You've saved my life, so feel free."
"I was wondering about his late wife."
"Oh. That." His face fell. "What d'ya want to know?"
"Why did she kill herself?"
"Oh, I thought-" He caught himself and started over. "There you have me, friend.
It took us all by surprise. I mean Celia and Alex had their rough moments like any other couple, but when she... well, it left us all flabbergasted. She seemed very normal and all. Normal, you know? It fairly tore Alex up. He looked like death himself for a while. I think that party last night was the first time he's really been out of the house since it happened."
"She leave a note?"
"Yeah, she said she just couldn't go on any longer. It was next to her on the car seat. You know how she died?"
"Yes, Reva mentioned it to me."
"Reva." He smiled. " Lovely girl... It shocked her, too. She and Celia were very good friends, they were both models. Celia married her artist, and Reva's about to, so I suppose they had a lot of notes to compare on the subject, not that Alex or Leighton are even remotely alike."
"How so?"
"They both paint and wear clothes and eat food, but beyond that they're night and day, stylistically and temperamentally. Like all that business in the studio, it was taken care of with a minimum of fuss and bother in about a quarter hour, right? If you'd gone to Leighton for the work you'd still be talking- and talking. He's more showman than anything. If someone comes to him for a commission he puts them to a lot of trouble so they think they're getting their money's worth. Then he'd have your girl sitting for a couple hours every day for two or three weeks so you think he's really earning his fee."
"That's what we expected with Alex."
"And he didn't give it to you. Art is a business with both of them, but Alex just gets on with it, and if people are disappointed with the lack of show, the finished product makes up fork."
"I'll say. That sketch he did was really great."
"And you don't need to worry about the painting, he'll do something to knock your eyes out."
"How did you two get together?"
He laughed. "It's been so long I hardly remember, we both go so far back. His family had money and mine didn't; he had the polish and I had the spit. I used to get him into a lot of trouble taking him off to pool halls and other fun places, then he'd show me how to look at things and draw them. We both had watercolors down by the time we were out of grade school. He'd won a few prizes and me, too, and then one day I sold something. It convinced me this was a way of making a living without working-that and the occasional crap game."
"And if you left the crap games alone you could make a living," said Sandra, coming in with a broom and dustpan. "Is he telling you the sad story of his life.
Jack?"
"Not so sad," defended Evan. "I enjoy every moment." To illustrate, he drained off the rest of the beer and raided the box for another. Sandra rolled her eyes in mock suffering and left for the studio.
Evan grinned beatifically. "Before yesterday she'd have given me a five-minute lecture on gambling, drinking, and other forms of peaceable sport. Now she's so occupied with Alex it takes the pressure off me. Isn't love wonderful?"
I had to agree. "She and Alex have known each other just as long?"
"Not really. He was my friend mostly until we got older, then he went off to study in Paris for a couple of years. When he returned she started to notice him, but then he was off to New York getting established. He came back just after the crash; famous, quite thoroughly married to Celia, and off Sandra's eligible list."
"That's a funny way to describe a marriage."
"It applied to them. I liked Celia well enough, but she was a bit self-centered-no, that's not the word..."He eyed the dwindling contents of the beer bottle. "I think this stuff is starting to get to me."
Before he could decide on his definition, Bobbi, Sandra, and Adrian walked in.
Bobbi was pulling on her brown velvet gloves.
"All finished?" I asked.
"Jack, you should see the things he has in there, it's absolutely wonderful. Alex should have it in a gallery or museum. They're all too beautiful to be shelved up out of sight."
"Maybe you could talk to Reva," said Evan.
Adrian shrugged it off. "Another time. You're going to see her tomorrow, aren't you?"
"Yeah, sure, first thing, but I'm having my doubts."
"You promised, Evan, so don't try to get out of it," Sandra told him.
"I wouldn't do that, it's just I won't be held responsible if Reva says no. She'll be thinking of Leigh ton-"
"And Leighton thinks of himself," Adrian concluded, twisting his ring around again.
"Well, it 15 her gallery, of course she'll want to be selling his work and Reva might think my stuff would take away from his sales."
"Even though the gallery gets a commission should your work sell?"
"Not as much as they'd get from Leighton. He's very popular just now, you know."
"We know, but we also know your work is quite different from Leighton's and would attract a different audience. Reva will certainly want to widen the pool of prospective buyers."
"Not that wide... Can you imagine someone like Mr. Danube walking in for a look?"
Adrian apparently could and wisely shifted the point of his argument. "Sandra expects you to try."
"I will try, I've said so, but..."
"Yes?"
"Nothing, just but."
Sandra had her arms crossed and was leaning against a counter, watching the exchange with amusement. "Alex, he's just having a case of the shakes."
"Odd, that usually doesn't happen until the morning after the debauch."
Evan sighed dramatically. "They're talking like I'm not in the room anymore, which means I've become invisible again. If I could learn to control it I'd go on stage and make a fortune."
Sandra came over to put her arm around Evan. "You don't have to worry. Even if Reva says no, it won't diminish your work. You're a wonderful painter; sooner or later more people than just Mr. Danube will realize it."
"Sooner, I hope."
"Right now Leighton is popular with the public, but these things come in cycles.
Your turn will come. Look at Impressionism; when it first came out everyone hated it, but now look what it's going for."
"Right, but aren't those artists all dead by now?"
She groaned. "Don't be so morbid, Evan."