Gates of Paradise

Page 25

Does Andreas not remember? she wondered. Does he not see what I have created, where my mind has gone? Or is he so fixated on keeping me from knowing his plans for my child that he chooses to ignore it? She was certain he was making plans. He had no reason to believe that her child would be any different from the one Simonetta had carried.
"What do you do with the others? The other demon-born children?" she asked one afternoon. "You must not kill the Nephilim. They deserve only our pity."
Andreas told her not to worry, that he had trained the Petruvian priests to care for them.
"My child is innocent," she told him. "She must not be harmed."
"What is yours is mine," Andreas had promised. "But perhaps you should get more rest; put away your work for now and return to it when you have recovered from the pain of childbirth," he said, inspecting the sculpture more closely.
Tomi looked at her unfinished sculpture and thought of the many sacrifices that Andreas had made to ensure that they were reborn to this life, here in Florence. Perhaps he was right. Perhaps she needed to clear her mind.
Andreas left the room, and she heard him speaking in low tones with Ludivivo, who had been waiting outside her door.
"It is coming soon. She must never know," Andreas was saying. "She cannot ever remember that Gio was Lucifer, in human form."
Did they think she was not aware of what she had done? Did they think she could not hear?
"We will erase her memory," Ludivivo said. "She will not know that there ever was a child, let alone that one has been taken from her."
"The child must die," Andreas said. "Quickly, before Lucifer becomes aware it ever existed."
"You need not worry," Ludivivo said. "I will take care of everything. Patrizio will see to it."
Tomi had been right - they planned to kill her child. She felt a furious hysteria rise in her soul - she would not permit it! She struggled to sit up in the bed, but she was too weak. She could not even move. What was this? She was bespelled, she realized: trapped, confined to the bed.
Andreas returned to the room and planted a kiss on her forehead.
"Sleep well, my love. Soon this will all be over."
The only other visitor to her prison was her friend the warlock, the guardian of the timekeepers. "You must help me," she said. "I fear for my baby. Andreas will not allow it to live."
The warlock did not argue. The Norsemen were supposed to be neutral in the skirmishes of the lost children of the Almighty, but this one was fond of Tomi. He was a great admirer of her art. "I will see to it. I will help you. I will steal you away tonight. I must prepare, but I will see to it."
"Promise me," she said, gripping his arm.
"I will not fail you, my friend."
But that night was too late. It was not long after the warlock left that the labor pains started. At first they were subtle, almost possible for Tomi to ignore. When they grew sharper, stronger, more frequent, she called for the midwife. "Help me," she said. "Call my friend back."
But instead, the midwife brought Duc Patrizio de Medici, along with Tiberius Gemellus, the Silver Blood Enmortal, who was now in Andreas's loyal circle.
"Iacopo would not come, nor Margherita, so it is just us," Tiberius was saying. "They refuse to be a part of this. They suspect what is happening."
Tomi stirred - the names were familiar - her friend Iacopo and his bondmate Margherita. What was Andreas planning that was so terrible even the Angels of the Apocalypse refused to participate? Where was her friend the timekeeper, who had promised to help her?
"We must move her quickly," Patrizio said.
"Where are you taking me?" she cried. Where were her loyal Venators? Why was she alone?
"Somewhere safe."
By then she was too tired, too weak, and in too much pain to protest. They brought her underground, into a dark basement smelling of mold and dust and decay. Tomi hoped that the birth would be quick, but it was not to be so. The pains stretched out for hours and into the next day. She grew weak and feverish. It became difficult to separate reality from dreams, for she had not slept; though occasionally she closed her eyes and disappeared for a few blissful seconds.
By the time the midwife insisted that she begin to push, she was delirious. Andreas entered, with Ludivivo. Why was she surrounded by so many men? What was happening?
"Dre - please, what is going on?" she begged.
They were waiting.
"Do not kill her," she begged. "Do not kill my baby."
"We will not harm her," Andreas said. "Ludivivo has found a family. This is why Patrizio is here," he said soothingly.
"We will take care of the baby." Patrizio nodded. "Do not fear, our dear Gabrielle."
Tomi was too weak to protest, but she took some comfort in the knowledge that her baby would not die. She was not strong enough to keep them from taking it, but if it was alive, surely she would have a chance to find the child again.
She began to scream. The pain was unbearable.
"Shhh..." the midwife said. "Andreas, she needs something to drink. A cool jug of water, perhaps."
"I will fetch it," Andreas said. "No harm will come to your child, my love, I promise."
And with that, Tomasia finally was able to push.
Chapter Forty-Two
Schuyler
inn's dorm was all but abandoned when Schuyler arrived; everyone must have gone to the party, or to some other party. Or the library, she supposed - there must be some people in college who actually spend time studying. Wherever they were, she was happy they were gone; the front door was miraculously open, and she was alone.
Which gave her time to study the paintings. There were four of them, one on each wall. They were beautiful. If Schuyler had ever wondered whether Ben and Allegra were really in love, she didn't wonder now. Only someone who completely adored the woman he was painting could have infused such emotion onto the canvas. Surely her mother had had a chance to see them, before she fell into a coma.
The tricky part now was figuring out a way to extract the blood from the paint. Assuming, of course, that it was Ben's. Schuyler had only had time to sense the faintest aroma of blood when she'd looked at the paintings. If the blood didn't belong to her father, there was no point in destroying them.
How to be sure? Schuyler walked up to one of the paintings and stood as close to it as she could, breathing in deeply. Yes, she'd been correct the first time: there was definitely blood mixed in with the paint. But something about it smelled strange. Was it because her father's blood was somehow special? She couldn't be sure. She inhaled again. There was something familiar about its scent. Well, it would be totally awkward if someone walked in right now, but...she stretched out her tongue and licked.
And in that brief second, her hopes were dashed. She knew as soon as she tasted it. The blood wasn't Ben's.
It was Allegra's.
Vampire blood was supposed to disappear when it hit the air, but Schuyler's mother must have found a way to preserve hers. She must have given it to him, to help him with his work. It was a sweet, if strange, gesture, but either way, it was of no use to Schuyler.
Schuyler consoled herself that at least she wouldn't have to damage the paintings, and with them her future relationship with Finn. She would have to come up with another plan. Nothing left to do but go back to the hotel and sleep.
Oliver arrived at the airport just in time, wearing the same clothes he'd had on the night before and looking pleasingly rumpled. "Oliver Hazard-Perry, I never thought I would see you doing the walk of shame," Schuyler teased. "Good night, then?"
"The best. Who knew I could enjoy a kegger?"
"I don't think it was the party that was so much fun."
"Perhaps not," he allowed.
"How did you leave things?"
He sighed. "Well, that's complicated. We'll be in touch, of course, but I can't imagine anything will come of it until after...everything."
The sojourn back to the States had been a monumental one for Schuyler personally, but the problem at hand still remained. The Venators were meeting tonight, and while she had faith in Kingsley's leadership, Schuyler knew she was the one destined to bring the vampires salvation. But all she felt was useless.
Remember who your father was, her mother had told her. Remember him when time stands still, when you stand at the crossroads, when the path opens before you.
What did it mean?
The flight to London was smooth and uneventful, made easier by the comforts of first class. They disembarked to find a driver holding a sign with Schuyler's name on it. Kingsley had arranged for a limo to pick them up at Heathrow, Oliver explained. "How thoughtful," Schuyler said. "And how unlike him."
"People can change," Oliver said pointedly.
"Noted," she said.
They sank into the plush leather seats while the driver put their luggage in the trunk. With a low purr, the car exited the airport. Schuyler looked out the window as they moved onto the highway. It was always so hard getting used to the whole driving-on-the-other-side-of-the-road thing - she was glad she never had to do the driving herself.
"I don't know my way around London all that well," Oliver said, "but I feel like we're going in the wrong direction. Kingsley said the safe house was in Islington, which is that way."
Schuyler tapped on the glass window that separated them from the driver. "Excuse me? Are we going the right way? I don't know if Kingsley gave you the proper address...."
The driver didn't appear to hear her, and he didn't lower the glass.
"What's going on here?" Oliver asked.
Schuyler started banging on the window. "Hello? Can you hear me? Hello?"
Still nothing.
"I'm starting to get a very bad feeling about this," Oliver said.
"Is there any chance Kingsley didn't send this car?"
"Come to think of it, he did mention he was sending a Venator team. Not just a driver. Damn it! What should we do? Should we try to jump out?" Oliver tested the door. "Locked."
"We can force it," Schuyler said. "I could take the door right off the hinges if I wanted to."
"While the car is moving? I'm not sure that's a good idea."
Just then, the car stopped. They'd pulled off the highway and were in a clearing. Schuyler heard a click and tested the door. Unlocked.
"As soon as I open it, we run," she said.
But no sooner had she said the words than someone else opened the door for her.
Schuyler froze. The feeling she'd had all along - she'd been right after all - someone had been watching and waiting...and now the watching and the waiting had ended, and whoever it was had come for her. She knew, she felt it, and she hadn't done anything, hadn't told anybody - and now they were both in danger. She wanted to kick herself for being so stupid. She would never see Jack again, never get to know her newfound family. She'd failed in her task, and this was her punishment.
"This isn't good," Oliver said.
"Get out of the car," a cold voice said. "Now."
"Where are you taking us?" Schuyler screamed as her assailant pulled her out of the car.
"Not us," he said. "You."
Then Schuyler blacked out.
In a flash, she and her captor seemed to be somewhere else, somewhere familiar: falling, falling deep into the glom, and away from the light, though Schuyler felt like they were still moving.
They stopped. Schuyler tried to keep herself from throwing up; all that motion had made her nauseous. It was dark, but as her vision started to clear, she realized where she was.
Hell.
Chapter Forty-Three
Mimi
he Venators grabbed Mimi and brought her to a room on the second floor of the house, then left her alone. Really? Would it be that easy? She tried the handle. Locked. Enchanted-locked, too, not just regular-locked, which would be easy enough to pulverize. She looked around. They'd taken her to a library, the walls filled with books from floor to ceiling, ladders on wheels propped against every shelf so browsers could slide back and forth between the higher rows. Too bad she wasn't much of a reader.
The Venators left her in the room for so long she actually started looking at some of the titles. She picked a book with a familiar-sounding title and settled into an enormous leather chair to read. She barely had time to process a word before she fell asleep.
She awoke to the sound of low male laughter. "Such a threatening figure, all curled up in a chair like a puppy."
Kingsley.
Mimi yawned and stretched her arms over her head, well aware that he was watching.
"A kitten, then. A very, very sexy kitten."