Hexbound
Page 16
Personally, I was waiting for the day the comic book characters appeared in 3D at our suite door, ready to perform their magic at Scout’s command. Geeky, sure, but that still would have been sweet.
Scout had her faux comics, and I had my sketchbook. I loved to draw, and I was supposed to start studio classes anytime now. I could do still lifes—drawings of real objects—but I preferred to lose myself in the lines and let my imagination take over. I kept a stash of favorite pencils in my messenger bag. And since my parents apparently felt guilty about sending me to Chicago while they did whatever they were doing in Germany, I also had a new stash of sweet German notebooks they’d mailed out last week. When I finished with the trig problems, I pulled one from my bag, grabbed my pencil case, and set to work.
I was in a roomful of characters—rich girls in plaid, weird girls in plaid, and the dragon ladies who patrolled the room and made sure we were doing homework instead of flipping through Cosmo. I was also in a room of cool architecture, from the dozens of stained-glass windows to the huge, brass chandeliers that hung above us. Each chandelier was made up of slender statues of women—ancient goddesses, maybe—holding up torches.
I opened the first notebook—a thin one with a pale blue cover—and touched the pencil lead to the slick paper. I picked a goddess from the nearest chandelier and started drawing. I started with a light line to get the general shape of her body, just to make sure I had the proportions correct. As I worked on the drawing, I’d darken a final line and fill in the details.
It wasn’t magic. It wasn’t trig. And best of all, the dragon ladies couldn’t complain. I was studying, after all.
I’d just finished the sketch when the Great Hall went silent. It was usually pretty quiet, but there was always an undercurrent of sound—papers shuffling or low whispers as girls tried to entertain themselves.
But this was quiet quiet.
Scout and I glanced up simultaneously. My first thought had been that a spindly-legged monster had walked into the room. But it was just the headmistress.
Marceline Foley strode confidently down the aisle in a trim suit and the kind of heels an adult would call “sensible.” Her eyes scanned the room as she moved, probably taking in every detail of the students around her.
Foley was still a mystery to me. She was the first person I’d met when I arrived at St. Sophia’s a few weeks ago, and she’d given me a very cold welcome to Chicago. She’d also been the one who’d suggested my parents weren’t who they seemed to be. She had changed her tune, but when I had tried to talk to her about what was really going on, she’d convinced me to let things lie. Foley knew my parents, and she seemed convinced that they’d had a reason for not telling me what was really going on.
A reason that put their safety at risk.
What else could I do but believe her?
Tonight, she held a stack of small cards—like index cards—in her hands. As she walked past the tables, she occasionally stopped and handed a card to one of the students at the table. And then she stepped forward, and she handed one to me.
“Instructions for your studio art class,” she said.
I hadn’t realized I’d been holding my breath until I let it out again. I’d been fighting tunnel-crawlers, but it was the principal who really tied my stomach in knots. I’m not sure what that said about me.
I took the card from her. It was a schedule for the studio classes, which were supposed to start tomorrow. I’d have class in the “surplus building.” Didn’t that sound glamorous?
I glanced up again. Foley stayed at the edge of the table for a moment, the rest of her cards in hand, looking down at me. I waited for her to speak, but she stayed silent. After a nod, she moved along to the next table.
“That was weird,” Scout said. “What did she give you?”
I flipped the card her way so she could see it.
“Huh. Looks like you’ve found your creative outlet.”
I’d only just stuffed the card into my notebook when noise erupted across the room. We all looked over to see Veronica standing at a table, her chair now on the floor, her face flushed and eyes pink. M.K., arms crossed over her chest, stared back, a single eyebrow arched at Veronica.
“Things just went nuclear,” Collette muttered.
“You are a witch,” Veronica hissed out, then stepped over the chair and ran to the door.
You could have heard a pin drop in the Great Hall.
M.K. rolled her eyes and leaned toward the girl beside her, gossiping together while one of her best friends ran away from her. A dragon lady moved to the table and picked up the chair Veronica had knocked over. A low rumble of whispering began to move across the room.
“At least that’s over with,” Colette said. “Can we all get back to studying now?”
Scout and I exchanged a glance, and I read the same thoughts in her face that I had in mine: Could it really be that easy?
A few hours later we were back in the tunnels, Scout and I making our way back to the arched wooden door to Enclave Three, its status as an Adept HQ marked by the “3” above the door and the symbol on the door—the letter Y inside a circle, a symbol Scout had told me could be seen across the city of Chicago. It was the mark of an Adept.
Sure, putting symbols on buildings and bridges across the city wasn’t exactly in line with the Adepts’ idea of keeping their work under the radar. On the other hand, I got the feeling the symbols were a kind of reminder that they were here. That they fought the good fight, even if no one else knew about the war.
Scout had her faux comics, and I had my sketchbook. I loved to draw, and I was supposed to start studio classes anytime now. I could do still lifes—drawings of real objects—but I preferred to lose myself in the lines and let my imagination take over. I kept a stash of favorite pencils in my messenger bag. And since my parents apparently felt guilty about sending me to Chicago while they did whatever they were doing in Germany, I also had a new stash of sweet German notebooks they’d mailed out last week. When I finished with the trig problems, I pulled one from my bag, grabbed my pencil case, and set to work.
I was in a roomful of characters—rich girls in plaid, weird girls in plaid, and the dragon ladies who patrolled the room and made sure we were doing homework instead of flipping through Cosmo. I was also in a room of cool architecture, from the dozens of stained-glass windows to the huge, brass chandeliers that hung above us. Each chandelier was made up of slender statues of women—ancient goddesses, maybe—holding up torches.
I opened the first notebook—a thin one with a pale blue cover—and touched the pencil lead to the slick paper. I picked a goddess from the nearest chandelier and started drawing. I started with a light line to get the general shape of her body, just to make sure I had the proportions correct. As I worked on the drawing, I’d darken a final line and fill in the details.
It wasn’t magic. It wasn’t trig. And best of all, the dragon ladies couldn’t complain. I was studying, after all.
I’d just finished the sketch when the Great Hall went silent. It was usually pretty quiet, but there was always an undercurrent of sound—papers shuffling or low whispers as girls tried to entertain themselves.
But this was quiet quiet.
Scout and I glanced up simultaneously. My first thought had been that a spindly-legged monster had walked into the room. But it was just the headmistress.
Marceline Foley strode confidently down the aisle in a trim suit and the kind of heels an adult would call “sensible.” Her eyes scanned the room as she moved, probably taking in every detail of the students around her.
Foley was still a mystery to me. She was the first person I’d met when I arrived at St. Sophia’s a few weeks ago, and she’d given me a very cold welcome to Chicago. She’d also been the one who’d suggested my parents weren’t who they seemed to be. She had changed her tune, but when I had tried to talk to her about what was really going on, she’d convinced me to let things lie. Foley knew my parents, and she seemed convinced that they’d had a reason for not telling me what was really going on.
A reason that put their safety at risk.
What else could I do but believe her?
Tonight, she held a stack of small cards—like index cards—in her hands. As she walked past the tables, she occasionally stopped and handed a card to one of the students at the table. And then she stepped forward, and she handed one to me.
“Instructions for your studio art class,” she said.
I hadn’t realized I’d been holding my breath until I let it out again. I’d been fighting tunnel-crawlers, but it was the principal who really tied my stomach in knots. I’m not sure what that said about me.
I took the card from her. It was a schedule for the studio classes, which were supposed to start tomorrow. I’d have class in the “surplus building.” Didn’t that sound glamorous?
I glanced up again. Foley stayed at the edge of the table for a moment, the rest of her cards in hand, looking down at me. I waited for her to speak, but she stayed silent. After a nod, she moved along to the next table.
“That was weird,” Scout said. “What did she give you?”
I flipped the card her way so she could see it.
“Huh. Looks like you’ve found your creative outlet.”
I’d only just stuffed the card into my notebook when noise erupted across the room. We all looked over to see Veronica standing at a table, her chair now on the floor, her face flushed and eyes pink. M.K., arms crossed over her chest, stared back, a single eyebrow arched at Veronica.
“Things just went nuclear,” Collette muttered.
“You are a witch,” Veronica hissed out, then stepped over the chair and ran to the door.
You could have heard a pin drop in the Great Hall.
M.K. rolled her eyes and leaned toward the girl beside her, gossiping together while one of her best friends ran away from her. A dragon lady moved to the table and picked up the chair Veronica had knocked over. A low rumble of whispering began to move across the room.
“At least that’s over with,” Colette said. “Can we all get back to studying now?”
Scout and I exchanged a glance, and I read the same thoughts in her face that I had in mine: Could it really be that easy?
A few hours later we were back in the tunnels, Scout and I making our way back to the arched wooden door to Enclave Three, its status as an Adept HQ marked by the “3” above the door and the symbol on the door—the letter Y inside a circle, a symbol Scout had told me could be seen across the city of Chicago. It was the mark of an Adept.
Sure, putting symbols on buildings and bridges across the city wasn’t exactly in line with the Adepts’ idea of keeping their work under the radar. On the other hand, I got the feeling the symbols were a kind of reminder that they were here. That they fought the good fight, even if no one else knew about the war.
