Midnight Pleasures

Part Three CHAPTER 3

Mists rose from the river far below, engulfing the suspension bridge and the couple who stood upon it. Melissa stared through the rising mists at the man, who bore a striking resemblance to Alexander Quinn, except that he wore black ritual robes and an inverted pentacle of solid gold with diamonds winking at each of its five points. The woman stood near the railing, her back to the man, her flowing white dress dancing in the mist-laden breeze like a living thing. Her wild golden hair was damp with the kiss of the moist air. Melissa couldn't see her face, but she knew the woman was weeping.
The man spoke, though his lips never moved. Go on. Do it. Do it, now! He pulled something from his pocket, a small white-robed doll with hair like the woman's. Do it! He shoved the doll toward the railing.
The woman climbed over it.
"No," Melissa whispered. "No, wait."
But neither of them could hear her. It was as if she weren't really there.
The man moved closer to the rail, held the doll out over the water. As he did, a pair of hands, strong astral hands, attached to nothing and no one, appeared behind the woman, hovering above her shoulders.
The woman turned, as if suddenly aware of the presence, and Melissa gasped as she saw her face. It was almost like looking into a mirror.
Do it! the man commanded, and then he flung the doll over the rail.
The hands closed on the woman and pushed her.
She fell silently, her white dress wafting behind her. Like an angel cast from heaven, she spiraled downward. The water opened where she plunged into it, then closed around her, swallowing her down.
Melissa screamed.
The sound of her own voice shocked her awake, and she found herself sitting bolt upright in her own bed. Her skin was damp with sweat, her heart pounding, as she looked around the room. But it was real. She was there, in the beach house, and the rest had just been a dream.
"No," she said softly. "Not a dream. Something else - a prophecy, or a memory, or something - it was too vivid to be just a dream."
She glanced at her nightstand. The clock read 2:00 a.m. A soft, steady beep emanated from somewhere in the living room, startling her for just a second, before she recognized the familiar sound of her answering machine. Somehow, she'd been too deep in the vision to have heard the telephone ringing. Sighing, she got out of the bed, padded into the living room, hit the playback button, and then shivered at the sound of Alexander Quinn's deep voice.
"We're meeting with the writers in the morning, Melissa. Ten A.M., my office." The machine beeped once more to signal the end of the message and then went silent.
Pushing a hand through her hair, she wondered if she should just quit now and have it over with. She wandered through the living room, toward the table in the back where she'd dropped the script he'd given her the day before. As she did, she looked up, through the glass doors.
And she saw something on the beach - a shape, with long golden hair and a flowing white gown.
Her heart tripped and she lunged forward, hands pressing to the glass, eyes straining. What the hell... ?
There was nothing there. Maybe it had just been a reflection, a trick of the moonlight on the water, or a stray light on her glass doors. But she couldn't quite shake the feeling that she'd just seen the woman from her dream, standing in the sacred space of Melissa's own circle.
She checked her locks, just in case. Then she picked up the manuscript and took it with her, back to her bed, where she felt safe.
She wanted to do this job right - and for more reasons than just the money. She'd made a promise to her Goddess that if she could land this job, she would do it justice, set the record straight on prime-time network television. For her Craft, for her fellow Witches, for all those who'd died due to ignorance in the past.
She couldn't quit. Maybe all of this was some kind of a test.
It was not easy, forcing Alex and that troubling dream from her mind. Something was going on with him - with the two of them, maybe. She felt it in her gut, and she never ignored her intuition. It was usually dead-on. She was as afraid of him as she was drawn to him. She knew he felt that attraction, too. The air between them practically sparked with it when he was close to her.
What was the dream then? A warning? Was Alex to become her lover or her killer? Or both? Or was the dream just a manifestation of her own fears of failure and of this sudden, potent desire?
She couldn't dismiss him or the questions from her mind, only push them to the back long enough for her to do her work. She spent the rest of the night with her copy of the season's story arc, a stack of episode-by-episode breakdowns, and a red pen, which ran out of ink, so she had to finish in blue.
She wasn't exactly fresh when she finished at 7:45 A.M. She spent a half hour doing yoga, fifteen minutes in the shower, and just had time for her morning ritual before she had to begin the transformation into working-girl Melissa. The change involved taming her wild hair into a nice neat bun, corralling her breasts within the confines of a bra, putting on panties and nylons and a nice, civilized-looking outfit that included an ivory-colored silklike sleeveless blouse, a matching skirt, and a pair of pumps with two-inch heels. She flat-out refused to wear heels higher than that.
Then she drove her beloved lime-green Bug into the city, into the traffic, whispering prayers of protection to keep from being hit by the frantic driving tactics common to LA.
She made it to the meeting at one minute before ten. The others were already there, seated in comfortable overstuffed chairs and minisofas in a room that looked more like a living room than an office. The head writer, Merl Kinney, was there, gray hair, white at the temples, three-hundred-dollar suit, way too thin for a man his age and way too tan as well. Only one of his underlings had shown up, a young, pale woman with blond curls. The two were sleeping together. Melissa wasn't sure if it was as obvious to everyone else as it was to her, but as far as she was concerned they might as well have been wearing a sign. The director, Karl Stone, was there. But one presence dominated the room. Alex.
He was as potent to her senses as a shot of adrenaline. Dark hair, killer smile, and those piercing black eyes that seemed always to be focused on her. He wore tight-fitting jeans, a tank-style undershirt, and a short-sleeved button-down shirt, unbuttoned. All black. As her gaze slid over him, it froze on his chest.
He wore a pendant that rested there. An inverted pentacle with diamondlike stones winking at its five points.
Melissa's blood went cold. It was the same as the one from her dream.
She dragged her gaze from it, up to his eyes, and then got stuck there, captured. If he saw the fear in her eyes, he didn't show it. He smiled as if he knew something she didn't, then rose from his chair until she sat in one of her own.
Karl Stone said, "What do you want, Mel, coffee? Tea? A soft drink?"
She tried not to grimace at his calling her Mel. "Nothing, thanks, I'm fine." She opened her briefcase, pulled out the story arc and breakdowns, and stacked them on the coffee table in front of her.
Merl Kinney leaned forward, brows drawing together at the red markings on the top page. Without asking, he drew the stacks toward him, flipping through the top several pages. "My goodness," he said. "Had I known I was in need of a ghostwriter, I'd have hired one myself."
The room went dead silent. She could hear the soft ticking of someone's wristwatch, it was so quiet.
Drawing a breath, Melissa called up her courage. "These are only suggestions. I wouldn't dream of changing your words, Mr. Kinney. I only tried to highlight the places where I found... technical inaccuracies. The notes in the margins are suggested corrections."
He lifted his gaze from the script pages, locking it with hers. "I've won an Oscar and three Emmys, Miss St. Cloud."
"I've worked magic, Mr. Kinney."
Their gazes held.
Alex broke the silence. "Merl, Melissa was hired to tell us where we were getting it wrong, as far as the Witchcraft stuff goes. All she's done here is exactly what I hired her to do." He drew the manuscript toward him, began flipping through. "Keep in mind, we are free to take her suggestions or leave them - "
"If you leave them, I'm going to have to quit," she said, addressing Alex now.
He blinked at her as if she'd suddenly levitated or sprouted a wart on the end of her nose. "I don't follow..."
"I'd prefer not to have the entire Pagan community think of me as a traitor, much less an uninformed poser, Alex. I don't want to deal with the mail I'd get, much less the E-mail." Turning her gaze to the head writer's again, she went on. "And I don't mean to tell you what to write, or how to write. Only what's accurate. And Alex is right: you can take it or leave it."
Kinney frowned and leaned back in his chair. But the tense, offended body language remained. "Why don't you nutshell some of these... inaccuracies for me?"
She nodded, licking her lips, wishing she could snatch the script back from Alex as a reference, but he was engrossed. And she found it easier to concentrate when his eyes were not on her, so she decided to let it be. God, she so wanted to keep this job. But she might very well be fired or forced to walk on her first full day.
"Just as a for-instance," she began, choosing her words carefully, "the spells. When a Witch casts a spell, there's a lot more to it than just reading a couple of lines from a book. The words aren't magic. The Witch is."
"So... how would you go about casting a spell?" Alex asked, lifting his gaze from the manuscript, pinning her with it. It burned. There was something in his eyes both attractive and intense. It shook her right to the core. And those damned stones in his necklace winked in the light, adding to her discomfort.
"First I'd determine the goal, then do a divination to determine whether I should even proceed. If I got the okay, then I'd calculate the best possible timing for the spell. Best day of the week, moon phase, other astrological correspondences, best time of day, and so on. I'd determine what herbs or scents, crystals or colors should be used, picking ones whose energies and vibrational frequencies mesh with the goal. I'd compose the words of the spell, and they would be very important, everything from the rhyme scheme to the number of syllables per stanza would have meaning. I'd decide how I wanted to raise energy. Then I'd do yet another reading to ensure every precaution had been taken."
Kinney raised his eyebrows. "It sounds like we're going to need longer episodes. This might end up being a Costner-length feature every single week."
"Even if you just refer to the preparation involved, it would help," Melissa said. "A throwaway line or two would be enough. Just acknowledge there's more to it than simply opening the book and reading the lines."
He nodded. "Doable, I suppose. But boring. This is entertainment, Mel. Not a documentary."
"I understand that. And naturally there will be times when your characters have an emergency situation and have to act instantly."
"What about the actual spell-casting part?" Alex asked. "I mean, all the rest is prep work, correct?"
He was on the edge of his chair, leaning forward, eyes glued to hers, except when they veered south every little while, to slide over her body, down her legs like a caress. She could feel his eyes when they touched her that way.
"Yes. When the time is right, I would create sacred space and cast a ritual circle. I'd invoke the forces and entities I had chosen to meld their powers with mine. Part of the spell casting would involve raising energy by dancing or chanting, drumming or rattling, clapping or whispering, or any number of other methods. When the energy reaches its peak, the Witch releases it from the circle, sending it off to do its job. Then she gives thanks and releases any forces or entities she has invoked. Finally, she takes up the circle."
"So instead of a thirty-second scene it's a half-hour scene," Kinny said, his voice dripping sarcasm.
"Sounds like a riveting scene to me," Karl Stone said. It was the first comment from the director. "Can you imagine the special effects we could put in there? Tell me, Melissa, is this magic circle visible to the naked eye?"
"Not usually. But most experienced Witches know it's there. It wouldn't be outrageous to show it, as if the Enchantress were seeing it with her inner vision."
"And the... forces and, uh, entities she invokes?"
"Those, too. But they would always be positive in nature, so I wouldn't make them too scary-looking."
"Because our Witches only practice white magic, right?" he asked, clearly intrigued.
Alex rolled his eyes and leaned back in his chair.
"That's not exactly true," Melissa said. "True white magic is magic designed to put the Witch more in touch with the divine, more in tune with spirit. Magic designed to help yourself or others is more accurately referred to as gray magic. Nothing wrong with it, but it's not pure, either. That's why you do the divination first, to be sure it's wise to proceed. Magic designed to cause harm to yourself or anyone else is black, and to be honest, there are times when it's called for."
"I thought the rule was 'Harm none,'" Alex said. He was watching her. She swore her blood was heating while her skin sprouted goose bumps.
"Some would say allowing evil to flourish unchecked is doing harm," she told him. "So some don't feel restricted from using magic to stop evil, or protect the innocent, or see to it that a criminal is caught. Some Witches wouldn't use it even then. Others insist on doing no more than turning the evildoer's own energy back to its source, so he ends up destroying himself. That would be the most likely course of action for your characters when they were attacked by surprise, with no time to prepare - just flinging up a reflective barrier that bounces the energy back to its source. Personally, I've never subscribed to the belief that we are given the power of the gods to wield and then expected to be victims or passive witnesses to wrongdoing."
The director was rubbing his hands together, the wheels behind his eyes turning. "This is good stuff. We can use this. We're talking about true moral conflicts here. Real soul-searching." He scribbled a note, then glanced her way. "What else have you got?"
"Oh, please," Kinney said, clearly exasperated. "Are we producing a prime-time drama here, or is this going to be a Wicca One-oh-one class?"
"Kinney, you're the head writer, not the creator," Alex said. His tone, normally firm, had gone softer, and somehow that was more intimidating. "Karl and I came up with the idea; this is our baby. Our vision. If you want to stay on as head writer, I suggest you pay attention." Then, turning to Melissa, he smiled. "Please, go on."
She went on. The meeting stretched into two hours as she did her best to give the team a crash course on magic and Witchcraft. By the time she finished, she was energized, bubbling over with enthusiasm. They were actually listening to her!
Kinney alone remained hostile, though he kept it to himself throughout the rest of the meeting. Alex seemed interested, attentive, intense - but he still exuded a sense of frustration she couldn't quite understand.
When the meeting ended, a secretary came in with a list of messages for Alex even before everyone had filed out. Melissa had hoped for a private word with him, but he was clearly too busy just now. So she headed to her Bug with a new spring in her step. She was going to keep her job and her promise. They were taking her suggestions seriously.
Maybe the dream wouldn't come back again now that she'd gained a little confidence that she could actually do this job. Maybe it was only nerves after all. If she could just keep her feelings for Alex under control, she might actually get through this.
She was unlocking the car door, trying not to dance for joy, when Alex's voice came from behind her.
"You really do know your stuff, Melissa. You blew everyone away in there."
His voice sent shivers of awareness up her spine. He moved closer, standing right behind her, invading her aura. His warmth on her back made her close her eyes briefly. Then she straightened and turned to face him, resting her back against the car door. "Thank you." Her gaze lowered to the pentacle on his neck. "I wanted to ask you... about the pent'."
"You like it?"
"Yeah, but why are you wearing it inverted?"
He lifted a hand to finger the five-pointed star, enclosed within a circle, with its topmost point aimed downward. "It came that way. Besides, as I told you, I need to get inside the heads of the villains this season. Isn't this the way a dark magician would wear it?"
She shrugged. "Actually, in the Craft it's the symbol of the Second Degree - the descent into the shadow-self. But it's rarely used that way in the States anymore, because of its negative connotations. I think the Satanists have adopted it as their symbol, but I didn't see any Satanists cast as villains in the breakdowns."
"Wouldn't a dark magician be the same thing as a Satanist?"
"Not at all. A dark magician would be anyone who practiced magic designed to cause harm to others, or to manipulate the free will of other people for his own interests or gain. Some Satanists might be dark magicians, but I'd bet most of them aren't."
He nodded. "I think I like the symbol, even if it's not wholly accurate. In fact, I was thinking of using it as a prop on the show. It will certainly give the viewers the right cue at the right time. They see this, and they think, 'Evil.' "
"And that's a lie you intend to perpetrate even further?" She shrugged, disappointed in him, then stared at the pent', battling a shiver. "It's really a magnificent piece," she whispered. "Where did you find it?"
"It was my father's."
She lifted her head, a frown knitting itself between her brows.
"So where would one go to find an authentic dark magician?" he asked. "I have some books, but - "
Her hand shot out to clasp his upper arm. "Who are you, Alex? What are you playing with here?"
His eyes seemed to darken, to intensify, and her hand tingled where she touched him. "That's what I'm trying to find out," he told her. He shook her arm off and turned to walk away.
She went after him, grabbing his arm and turning him around again. "Don't dabble in the dark side, Alex. It will pull you in like quicksand. It will destroy you."
"You think so?" He shook his head. "Look over there, you see that car?"
She did. The sleek Mercedes SL 500 convertible was silver and gleaming in the sunlight.
"And there's my house. A mansion. And money. So much money I can have anything I want."
"And you got all you have through black magic?"
He seemed to go still, confusion etching his face for just a moment. "I didn't used to think so. Now... I'm not so sure."
She had no idea what he was talking about. Impulsively she touched his shoulder. "You can have anything you want anyway. You don't need black magic to get it. The universe is surging with abundance; all we need to do is claim it."
He smiled slowly. "Is that why you're driving a VW Bug?"
She tilted her head, studying him. "I love my car. Besides, it's good on gas, and better for the environment. I try to live in harmony with nature, Alex, and nature provides everything I need."
"But not everything you want."
"You don't understand. You have to get past the mentality of a child in a toy store. When you grow spiritually, Alex, your wants and desires start to meld with the will of spirit. And when that happens, things just fall into place. I adore that little car. I smile every time I look at it. I love my little beach house. And I'm starting to love this job - or I was."
"Well, I love my mansion, and I love my Mercedes, and I love the idea that I can have anything I want." He looked at her, her eyes, her lips. "Anyone I want."
She lifted her brows. "You think so, do you?"
"I think so." He moved closer still, closing the tiny gap between them, and his arms slid around her waist. He bent over her and covered her mouth with his. God, he knew how to kiss. His lips and tongue were talented, and he tasted good, and she was female enough to enjoy every second of it. She didn't fight him, didn't struggle. She didn't want to. Instead, she returned the kiss, but gentler, slowing the movement of her mouth beneath his, soothing him with her hands as they moved on his back and shoulders, visualizing cool blue water melding with the red-hot fire she sensed burning through him.
He responded, as she had known he would. His arms around her relaxed a little, so he held her close, but not crushingly. His mouth explored, now, rather than invading. His kiss warmed, gentled, and she felt a shudder rise up as if from somewhere deep within him, and an answering one rose within her.
When he lifted his head away, he blinked twice, and his eyes searched hers. He took a step backward, away from her, licked his lips, and then lowered his gaze. "That was... I was being an ass."
"Yeah, I noticed," she said.
"It's been a rough month. I'm going through some things." He turned away slowly, raking his hair with one hand.
"We all go through things, Alex. But just for the record, that kiss just now didn't happen because of any magic, black or otherwise. Or because of your money or your car. It happened because I wanted it to happen. So don't beat yourself up too much over it, okay?"
She turned back to her car while he was still standing there, in a state of - she didn't know what. Confusion, remorse? She got behind the wheel, started up the Bug. He spun around as if he hadn't realized she'd even moved, even took a few steps toward her as she drove away. Then he stood there watching her go, still looking slightly dazed.
Melissa held her hand out over the passenger seat, opened her fist, and let the gold pentacle drop onto the upholstery. Her palm still pulsed with the energy the piece held. Powerful energy, but dark. She could not wait to get home and wash her hands. She would just do a little cleansing work on Alex's jewelry tonight. He could have it back tomorrow.
It was completely against her principles to do this sort of thing - messing around with his pent' without his permission. Much less stealing from her brand-new boss. But something deep inside was telling her to do it, that she had to do it. That he needed her help. And she never ignored her intuitions.