Settings

Moscow but Dreaming

Page 9

   



It takes you even longer to remember why you dreamt about this building on the outskirts of Moscow—that you used to live there, but this is not why; you’re there because of the boy who used to live in the same building but the other entrance. You cannot remember his name or whether you were really friends or just nodded at each other, passing by like boats in the lonely concrete sea of the yard, a fringe of consumptive poplars looking nothing like the palms of the tropical isles neither of you were ever likely to see. You know, though, that there was never any unpleasant physicality between the two of you, even after you learned to throw your body between yourself and whomever was trying to get too close.
You sit up in your bed and want a smoke, and whisper to yourself, It was never sex. Never. It was a defensive reflex, the same as a lizard that aborts its tail and escapes while some predator dumbly noses around the mysteriously wriggling appendage. You’d learned to do it with your entire body, and only the spirit escaped, not watching from the distance, running instead for the hills and the razor slash of the distant horizon. It was always about escaping.
Anyway, the boy: as far as you can recall, he had an average and pale face, he was short and slouched, his hands always in the pockets of his ratty hand-me-down winter coat, too short for him. His straight dark hair was always falling ungracefully across his forehead, and the only thing even remotely remarkable about him was the fact that even in the deadest winter cold his eyes remained warm and soft and brown, and he looked at everything with the same subdued delight. Finding oneself in the diffuse cone of his nearsighted gaze was both disconcerting and comforting, since he seemed to be the only person in the entire universe who honestly didn’t want anything from you.
You try to remember what happened to him—you think vaguely that he died as a teen after being drafted, died somewhere in Chechnya; or maybe it was his older brother, and the boy just disappeared one day. Maybe he is still there, at his old apartment, and the memory of his death is a confabulated excuse for not having kept in touch. That seems likely.
It’s time to get up anyway, and you stare out the window; you’ve moved from the grey suburbs to the sort-of center, near the Moscow River’s bend, where it is somewhat less grey and the lights of opulence are visible across the river. You try to be satisfied with your lot in life, but discontent lingers, so you eye your pantyhose, tangled and twisted into a noose, and your short skirt, the one you’re getting too old for, and you keep getting a sneaking suspicion that your immediate boss feels the same way and soon enough he’ll trade you for a newer model, like he does with his BMWs.
So you call in sick. No one minds since there’s yet another economic crisis in progress, and chances are no one will be paid until right before the New Year. And they can type their own damn reports, those twelve managers and only two of you to do the actual work. It doesn’t matter. You dig through your wardrobe and find half-forgotten woolly tights, scratchy and severe and thick, and a long gabardine skirt with a broken zipper, which you fix with a safety pin. You wrap your head in the flowery kerchief every Russian woman owns—even if she never bought one, it was given as a gift, or, barring all normal means of acquisition, spontaneously generated in her apartment. You suspect that yours is one of those, an immaculately gotten kerchief with fat cabbage roses on a velvet-black background with tangled fringe.
It is warmer outside than you expected, what with the dreams of winter and whatnot, but the wind is still cutting and it throws handfuls of bright yellow poplar leaves in your face as you walk away from the embankment. Your shoulders stoop under a grey woolen cardigan, and your walk is awkward, unnatural in flat shoes, and you feel as if you keep falling heavily on your heels, the familiar support elevating them above ground missing. Your face feels naked without the makeup.
St. Nicholas’ church is open and empty, the smell of frankincense and whatever church incense they use there tickling your nostrils and yet infusing you with reflexive peace, conditioned like a dog that salivates at the sound of the bell. You buy a thin brown candle and plop it in front an icon, wherever there’s space, and mumble something prayer-like under your breath.
The mass is long over and only black-clad old women are there, rearranging and correcting falling candles, sweeping the heavy stone tiles of the floor. They look at you with their cataracts, blue like skimmed milk, and mumble under their breath. You catch the word “whore” and try not to take it personally—after all, this is what they call every woman who is not them, whether she is mortifying her flesh with woolen tights or not. You try to will your legs to not itch and end up backing behind a column and scratching discreetly.
You are not sure what brought on this religious impulse, except for the boy you miss without having known him. Then you think of the rest of his family, his numerous siblings, always hungry and underdressed, and it resolves in your memory, finally: he was a son of a defrocked priest who was forced into disgrace and living in a common apartment building instead of a parish house, no longer surviving off tithes, but the very modest salary of a night watchman. His wife worked at the meat factory across the street and always brought home bulging sacks dripping with blood, filled with tripe and bones and stomachs, and it was never enough for their brood, which, by your estimate, was somewhere between seven and nine. Poorer and more fecund than real priests, even.
“May I help you?” A soft, stuttering voice startles you from your reverie and you spook upright, your head springing back and almost breaking the nose of the speaker.
The young priest steps back, calm, his hands behind his back. “You look spiritually wrought,” he says, smile bristling his soft beard, light as flax. “You need guidance.”
“I don’t,” you say with unnecessary force, the wraiths of your twelve bosses rearing their heads, the images of people always telling you what you need. “I need information. Why would a priest be defrocked?”
“Depends,” he answers with the same softness, the change of topic barely breaking his cadence. “Are we talking about now, or in the past? Because the synod just defrocked a priest the other day, for marrying two men.”
“No,” you say. “Before—in the seventies or early eighties. A priest in Moscow was defrocked. He had children.”
“Most of us do,” young Father says, musing. “Back then, that would’ve been insubordination, most likely. Failure to respect the hierarchy. Talking badly about the hierarchy. Or possibly a failure to inform—or maybe informing on the wrong people, the wrong things.” He sighs heavily, his grey eyes misting over. “You know, I grew up in the church. I’m not afraid of ever losing my faith—when I was young, I saw one priest beating another up with an icon.”
Normally you would laugh at the image, but his thoughtful sincerity stops you. “I see,” you say.
“Do you know that priest’s name?”
“Father Dmitri,” you say.
“No last name?”
You shake your head and feel stupid.
“Do you know what church he was assigned to before his defrocking?”
“No. I was just thinking about his son . . . they used to live in the same apartment building as I did.”
“Go visit them, then,” he says flatly. “They were probably too poor to buy another apartment.”
“I don’t . . . ” You want to tell him that you really don’t want to see anyone from your past, anyone who would recognize you and put together the images of you—then and now, past and present—and find the comparison lacking.
But he is already losing interest, backing away. “You need to get baptized,” he says before turning away, toward the old women who wait for his glance as if it were a blessing.
“How do you know I’m not?” you call after, raising your voice unacceptably.
“You’re tormented,” he calls back, just as loud.
The priest is wrong—your mother had baptized you at birth, even though such things were frowned upon back in the 1970s. She even took you to the Easter and Christmas masses, where you stood on your aching feet for hours, holding a candle that dripped hot wax on your hands. The memory brings only boredom and unease and doesn’t lessen whatever spiritual torment the priest saw in you. He doesn’t know that the church with its battling priests isn’t as calming to you as it is to him— you worry that you will now have comical nightmares of priests in their long black robes and tall hats pummeling each other with icons and candlesticks. You are really not looking for salvation from them, but from that quiet boy in your childhood. No one else had such kind eyes. You sigh, regretful that your young self was so unaware of how rare a treasure this kindness was—and you’re not even sure if such optimism should be commended.
By the time you were twelve, you certainly knew enough of those who were not kind, of the tiny cave under the very first flight of stairs by the apartment building’s entrance, the cave you always had to run past because of those who hid there—boys who would reach out and hold you against the wall and put their hands under your skirt and down your sweater. You never told your mom why you would wait for her to come home from work, when the shadows grew long, and she couldn’t understand that you were not afraid to be home alone—you were afraid of the dash up the flight of stairs, and your two-room apartment could’ve as well been located on the moon.