Prince Lestat
Page 39
He lay back in his large overstuffed easy chair marveling at the blue skies and the brilliant sun he saw before him on the large television screen. He watched sleek and powerful American automobiles speeding on mountain roads and over prairies. He watched a somber, bespectacled teacher speak in sonorous tones of “the ascent of man.”
And then there were the films of symphony performances, the full-scale operas, the unending virtuoso concerts! He thought he’d go mad with the beauty of it—witnessing in living color and mesmerizing detail the London Philharmonic play Beethoven’s Ninth Symphony, or the great Itzhak Perlman racing through the Brahms Concerto with an orchestra surrounding him.
Going into Chicago to hunt, he now purchased tickets to see splendid performances in the immense opera house, marveling at its size and luxury. He was awake to the wealth of the world. He was awake to an age that seemed made for his sensibilities.
Where was Lestat in this world? What had happened to him? In the music stores, they still sold his old album. You could buy a video of the single concert to which he’d drawn a capacity crowd. But where was the being himself—and would he remember his once-beloved Antoine? Or had he made a legion of followers since those long-ago southern nights?
Hunting was harder in these great times, yes. One had to seek far and wide to find the detestable human vermin who in ages past had been infinitely more numerous and more at hand. He could find no metropolitan cesspools like the old Barbary Coast. But he didn’t mind that. He didn’t “love” his victims. He never had. He wanted to feed and be done with it.
Once he’d spotted a victim, he was relentless. There was no way for that man or woman to hide. He slipped easily into darkened houses and caressed his mark with rough and eager hands. Let blood be blood.
He was soon playing the piano for a salary in a fine restaurant and making plenty of money from tips on top of that. And he learned to hunt more skillfully among the innocent—drinking from one victim after another on crowded dance floors until he had had enough—without killing or crippling anyone. This took discipline, but he could do it. He could do what he had to do to survive now, to be part of this age, to feel vital and resilient and, yes, immortal.
Ambition began to grow in him. He needed papers to live in this world; he needed wealth. Lestat had always had papers to live in the world. Lestat had always had great wealth. In the old nights so long ago, Lestat had been a respected and highly visible gentleman, for whom tailors and shopkeepers had kept late hours, a patron of the arts, a common figure nodding to those he passed in Jackson Square or on the steps of the Cathedral. Lestat had had a lawyer who handled his affairs of the world; Lestat came and went as he chose. “These matters are nothing,” said Lestat. “My fortune is divided in many banks. I will always have what I need.”
Antoine would do this. He would learn. Yet he had no real knack for it. Surely someone could forge papers for him, he must focus on this. He had to have some safety in this world, and he wanted a vehicle, yes, a powerful American car, so that he could travel miles and miles in one night.
The voices came again.
The Undead were returning, and appearing in great numbers in the cities of North America. And the voices were talking, the voices spoke of the population spreading throughout the world.
The old Queen had been destroyed. But Lestat and a council of immortals had survived her, and the new Mother was now a red-haired woman, ancient as the Queen had been, Mekare, a sorceress, who had no tongue.
Silent this new Queen of the Damned. Silent those immortals who’d survived with her. No one knew what had become of them, where they’d gone.
What was it to Antoine? He cared but he did not care.
The voices spoke of vampire scripture, a canon, so to speak. The Vampire Chronicles. There had been two, and now there were three, and this canon told of what had happened to Lestat and the others. They told of the “Queen of the Damned.”
Walking boldly into a brightly lighted bookstore, Antoine bought the volumes, and read them over a week of strange nights.
In the pages of the first book, published long ago, he found himself, nameless, “the musician,” with not so much as a physical description except that he’d been a “boy,” a mere footnote to the life and adventures of his maker as told by the vampire Louis, that one whom Lestat had so loved, and feared to anger. “Let him get used to the idea, Antoine, and then I’ll bring you over. I can’t … I can’t lose them, Louis and Claudia.” And they had turned on him, sought to kill him, dumped Lestat’s body in the swamp. And after that final battle in flames and smoke when he had fought with Lestat to punish them, Antoine had never been mentioned again.
What did it matter? Claudia had died for it all, unjustly. Louis had survived. The books were filled with stories of other older and more powerful beings.
So where were they now, these great survivors of Queen Akasha’s massacre? And how many like Antoine were roaming the world, weak, afraid, without comrades or the consolation of love, clinging to existence as he did?
The voices told him there was no dream coven of elders. They spoke of indifference, lawlessness, a retreat of the ancient ones, of wars for territory that always ended in death. There were notorious vagabond masters who turned mortals into vampires every night until their stamina ran out, and the Dark Trick no longer worked when they attempted it.
Not six months passed before a gang of maverick vampires came after Antoine.
He’d just finished the latest book in the vampire scripture, Lestat’s Tale of the Body Thief. It was in the back alleys of downtown Chicago. In the early hours they surrounded him with long knives, pasty-faced gangster vampires with sneering lips, and flaming hair, but he was too strong for them, too quick. He found in himself a reserve of the telekinetic power described in the Chronicles, and though he was not strong enough to burn or kill them, he drove them back, slamming them into walls and pavements, bruising and shocking them senseless. That gave him the time he needed to use their long knives to cut off their heads. He had barely time to conceal their bloody remains in garbage heaps before making for his lair.
Voices told him such skirmishes and deaths were occurring in American cities everywhere, and indeed in the cities of the Old World and in Asia.
Things couldn’t go on like this with him in such a world. This could mean discovery. This could mean battles of vengeance. Chicago was too rich a plum for the Undead certainly, and Antoine’s refuge in Oak Park was too close.
And then there were the films of symphony performances, the full-scale operas, the unending virtuoso concerts! He thought he’d go mad with the beauty of it—witnessing in living color and mesmerizing detail the London Philharmonic play Beethoven’s Ninth Symphony, or the great Itzhak Perlman racing through the Brahms Concerto with an orchestra surrounding him.
Going into Chicago to hunt, he now purchased tickets to see splendid performances in the immense opera house, marveling at its size and luxury. He was awake to the wealth of the world. He was awake to an age that seemed made for his sensibilities.
Where was Lestat in this world? What had happened to him? In the music stores, they still sold his old album. You could buy a video of the single concert to which he’d drawn a capacity crowd. But where was the being himself—and would he remember his once-beloved Antoine? Or had he made a legion of followers since those long-ago southern nights?
Hunting was harder in these great times, yes. One had to seek far and wide to find the detestable human vermin who in ages past had been infinitely more numerous and more at hand. He could find no metropolitan cesspools like the old Barbary Coast. But he didn’t mind that. He didn’t “love” his victims. He never had. He wanted to feed and be done with it.
Once he’d spotted a victim, he was relentless. There was no way for that man or woman to hide. He slipped easily into darkened houses and caressed his mark with rough and eager hands. Let blood be blood.
He was soon playing the piano for a salary in a fine restaurant and making plenty of money from tips on top of that. And he learned to hunt more skillfully among the innocent—drinking from one victim after another on crowded dance floors until he had had enough—without killing or crippling anyone. This took discipline, but he could do it. He could do what he had to do to survive now, to be part of this age, to feel vital and resilient and, yes, immortal.
Ambition began to grow in him. He needed papers to live in this world; he needed wealth. Lestat had always had papers to live in the world. Lestat had always had great wealth. In the old nights so long ago, Lestat had been a respected and highly visible gentleman, for whom tailors and shopkeepers had kept late hours, a patron of the arts, a common figure nodding to those he passed in Jackson Square or on the steps of the Cathedral. Lestat had had a lawyer who handled his affairs of the world; Lestat came and went as he chose. “These matters are nothing,” said Lestat. “My fortune is divided in many banks. I will always have what I need.”
Antoine would do this. He would learn. Yet he had no real knack for it. Surely someone could forge papers for him, he must focus on this. He had to have some safety in this world, and he wanted a vehicle, yes, a powerful American car, so that he could travel miles and miles in one night.
The voices came again.
The Undead were returning, and appearing in great numbers in the cities of North America. And the voices were talking, the voices spoke of the population spreading throughout the world.
The old Queen had been destroyed. But Lestat and a council of immortals had survived her, and the new Mother was now a red-haired woman, ancient as the Queen had been, Mekare, a sorceress, who had no tongue.
Silent this new Queen of the Damned. Silent those immortals who’d survived with her. No one knew what had become of them, where they’d gone.
What was it to Antoine? He cared but he did not care.
The voices spoke of vampire scripture, a canon, so to speak. The Vampire Chronicles. There had been two, and now there were three, and this canon told of what had happened to Lestat and the others. They told of the “Queen of the Damned.”
Walking boldly into a brightly lighted bookstore, Antoine bought the volumes, and read them over a week of strange nights.
In the pages of the first book, published long ago, he found himself, nameless, “the musician,” with not so much as a physical description except that he’d been a “boy,” a mere footnote to the life and adventures of his maker as told by the vampire Louis, that one whom Lestat had so loved, and feared to anger. “Let him get used to the idea, Antoine, and then I’ll bring you over. I can’t … I can’t lose them, Louis and Claudia.” And they had turned on him, sought to kill him, dumped Lestat’s body in the swamp. And after that final battle in flames and smoke when he had fought with Lestat to punish them, Antoine had never been mentioned again.
What did it matter? Claudia had died for it all, unjustly. Louis had survived. The books were filled with stories of other older and more powerful beings.
So where were they now, these great survivors of Queen Akasha’s massacre? And how many like Antoine were roaming the world, weak, afraid, without comrades or the consolation of love, clinging to existence as he did?
The voices told him there was no dream coven of elders. They spoke of indifference, lawlessness, a retreat of the ancient ones, of wars for territory that always ended in death. There were notorious vagabond masters who turned mortals into vampires every night until their stamina ran out, and the Dark Trick no longer worked when they attempted it.
Not six months passed before a gang of maverick vampires came after Antoine.
He’d just finished the latest book in the vampire scripture, Lestat’s Tale of the Body Thief. It was in the back alleys of downtown Chicago. In the early hours they surrounded him with long knives, pasty-faced gangster vampires with sneering lips, and flaming hair, but he was too strong for them, too quick. He found in himself a reserve of the telekinetic power described in the Chronicles, and though he was not strong enough to burn or kill them, he drove them back, slamming them into walls and pavements, bruising and shocking them senseless. That gave him the time he needed to use their long knives to cut off their heads. He had barely time to conceal their bloody remains in garbage heaps before making for his lair.
Voices told him such skirmishes and deaths were occurring in American cities everywhere, and indeed in the cities of the Old World and in Asia.
Things couldn’t go on like this with him in such a world. This could mean discovery. This could mean battles of vengeance. Chicago was too rich a plum for the Undead certainly, and Antoine’s refuge in Oak Park was too close.
