Prince Lestat
Page 95
Fears.
Gregory passed on, silently, not wanting to intrude. Fears. What were his own fears? Was Gregory afraid that in this new coming together, they would lose their little family that had endured for so long?
Oh, yes. He knew that fear. He’d known it as soon as he’d brought his little company through the front door.
But something finer, something greater was possible here, and for that he was willing to take the risk. Even as it chilled him, even as he found himself wandering back towards the music, towards the inevitable spectacle of seeing his beloved Chrysanthe dazzled and entertained by new and magnetic immortals, he knew that he wanted this, this great gathering more than he had ever wanted anything with his entire soul. Were not all of these immortals here his kin? Could they not all become one united and enduring family?
18
Lestat
Sevraine and the Caves of Gold
MILLIONS OF YEARS AGO two great volcanoes poured lava and ash again and again over the land now called Cappadocia, creating a stark and breathtaking landscape of serpentine gorges and valleys and soaring cliffs and countless clustered knifelike towers of stone piercing the sky which have come to be known as fairy chimneys. For thousands of years, mortals have carved deep cave dwellings into the soft volcanic rock, eventually creating virtual cathedrals underground and monasteries and even whole cities remote from all natural light.
Was it any wonder that a great immortal had created a refuge in this strange land where tourists now come to see Byzantine paintings in cave churches, and hotels today offer luxurious accommodations in rock-cut rooms in cliff faces and mountain peaks?
How gorgeous it was under the light of the moon, this magical land in the middle of the Anatolian plain.
But nothing had prepared me for what I beheld as we entered Sevraine’s underground domain.
It was just past midnight when we made our way through a narrow winding rocky valley far beyond any human habitation, and how Gabrielle found the entrance in what seemed an impenetrable cliff I wasn’t certain.
But climbing the face of this cliff, clinging with preternatural skill to the outcroppings and broken roots that humans might never trust, we made our way into a dark slit of an opening that widened out into an actual low-roofed tunnel.
Even with my vampiric vision, it was difficult for me to make out the shape of Gabrielle moving in front of me, until suddenly after the fourth or fifth turn in the passage, her figure loomed small and dark against the glow of flickering flames.
Two vigorously burning torches marked the entrance into a passage of hammered gold where the air was suddenly cool with currents from the world beyond, and the shimmering metal all around us enclosed us in an eerie light.
On we walked until we reached the first of many broader gold-lined chambers where layer after layer of the precious metal had been hammered over crude stone, perhaps mixed with fresco plaster, I couldn’t know, and suddenly the ceilings above us were ablaze with magnificent paintings in the old Byzantine style that had once filled the churches of Constantinople and still filled the churches of Ravenna and San Marco in Venice.
Rows and rows of dark-haired round-faced saints gazed down on us with dark brows and unwavering gravity, clothed in embroidered robes, as we moved deeper and deeper into the underground realm.
At last we emerged on a gallery that wound around the upper part of a vast domed space with the feel of a great plaza. All around us passages opened from this great central place to other parts of the seeming city, while above the dome itself was decorated in brilliant sections of green and blue and gold mosaic swirling with vines and blossoms, bordered in red and gold at the top of the walls.
Grecian columns carved out of the soft rock appeared to hold a structure that was in fact part of the mountain. Everywhere the walls lived and breathed with color and ornament, but there were no Christian saints here. The figures that rose from the floor to gaze at us as we went down the rock-cut stairs were angelic and glorious but devoid of all faith iconography. They might have been celebrated members of our people for all I knew, with their shimmering and perfect faces, and grand robes of crimson or cobalt blue or twinkling silver.
Everywhere I saw mixtures of historical motifs, ribbons of egg-and-dart decoration dividing diamond-shaped panels of multipetaled flowers or dark blue night behind symmetrical stars, or painting so vividly real it seemed a glimpse here and there into a real garden. A great harmony held it all together, and gradually my eyes saw that much that had been done here was ancient and fading, yet other areas were fresh and still smelled of the pigment and plaster recently applied. The whole was a visual wonderland.
The lights. I had not noticed it before but of course all this was seen in a wealth of electric light, streaming from horizontal fixtures tucked everywhere along borders, in corners, and beneath the lower rim of the huge dome. The steady brilliance of electric light came from the many doorways.
We had come to a stop now on the marble tiled floor of this huge piazza-like place. I could feel the fresh air moving around us. It smelled of the night beyond, of water and green things.
From one of the doors came a figure to greet us, a blood drinker who resembled a young woman of perhaps twenty. Oval face, and oval eyes, and a complexion like cream.
“Lestat and Gabrielle,” she said as she drew near, her hands extended to include both of us. “I’m Bianca, Marius’s Bianca, from Venice.”
“Of course, I should have known you immediately,” I said. She felt soft and tender to me, remarkably so, in fact, considering she had five hundred years in the Blood and plenty of the blood of the Mother. All those years with Marius during which he protected the shrine of Those Who Must Be Kept, she’d drunk that precious blood. And she’d been made by Marius, and all those made by Marius had been well made, much better made than my fledglings.
I hadn’t known to take and give the Blood over and over as Marius had always done.
Bianca wore a simple black robe trimmed in gold, and her long hair was braided with what seemed a leafy vine of gold. And a delicate gold circlet around her head made me think of the painting the mortal painter Botticelli had done of her.
“You come with me, please, both of you,” she said.
We followed her down another corridor of splendid gold enameling, bordered in delicately wrought flowering trees with blossoms like jewels, and into another large and splendid chamber.
Behind a long heavy wooden table with carved legs sat Sevraine, who rose now to greet us. It had to be Sevraine. Indeed it was the same powerful and ancient immortal I’d seen rising out of the tunnel in Paris.
Gregory passed on, silently, not wanting to intrude. Fears. What were his own fears? Was Gregory afraid that in this new coming together, they would lose their little family that had endured for so long?
Oh, yes. He knew that fear. He’d known it as soon as he’d brought his little company through the front door.
But something finer, something greater was possible here, and for that he was willing to take the risk. Even as it chilled him, even as he found himself wandering back towards the music, towards the inevitable spectacle of seeing his beloved Chrysanthe dazzled and entertained by new and magnetic immortals, he knew that he wanted this, this great gathering more than he had ever wanted anything with his entire soul. Were not all of these immortals here his kin? Could they not all become one united and enduring family?
18
Lestat
Sevraine and the Caves of Gold
MILLIONS OF YEARS AGO two great volcanoes poured lava and ash again and again over the land now called Cappadocia, creating a stark and breathtaking landscape of serpentine gorges and valleys and soaring cliffs and countless clustered knifelike towers of stone piercing the sky which have come to be known as fairy chimneys. For thousands of years, mortals have carved deep cave dwellings into the soft volcanic rock, eventually creating virtual cathedrals underground and monasteries and even whole cities remote from all natural light.
Was it any wonder that a great immortal had created a refuge in this strange land where tourists now come to see Byzantine paintings in cave churches, and hotels today offer luxurious accommodations in rock-cut rooms in cliff faces and mountain peaks?
How gorgeous it was under the light of the moon, this magical land in the middle of the Anatolian plain.
But nothing had prepared me for what I beheld as we entered Sevraine’s underground domain.
It was just past midnight when we made our way through a narrow winding rocky valley far beyond any human habitation, and how Gabrielle found the entrance in what seemed an impenetrable cliff I wasn’t certain.
But climbing the face of this cliff, clinging with preternatural skill to the outcroppings and broken roots that humans might never trust, we made our way into a dark slit of an opening that widened out into an actual low-roofed tunnel.
Even with my vampiric vision, it was difficult for me to make out the shape of Gabrielle moving in front of me, until suddenly after the fourth or fifth turn in the passage, her figure loomed small and dark against the glow of flickering flames.
Two vigorously burning torches marked the entrance into a passage of hammered gold where the air was suddenly cool with currents from the world beyond, and the shimmering metal all around us enclosed us in an eerie light.
On we walked until we reached the first of many broader gold-lined chambers where layer after layer of the precious metal had been hammered over crude stone, perhaps mixed with fresco plaster, I couldn’t know, and suddenly the ceilings above us were ablaze with magnificent paintings in the old Byzantine style that had once filled the churches of Constantinople and still filled the churches of Ravenna and San Marco in Venice.
Rows and rows of dark-haired round-faced saints gazed down on us with dark brows and unwavering gravity, clothed in embroidered robes, as we moved deeper and deeper into the underground realm.
At last we emerged on a gallery that wound around the upper part of a vast domed space with the feel of a great plaza. All around us passages opened from this great central place to other parts of the seeming city, while above the dome itself was decorated in brilliant sections of green and blue and gold mosaic swirling with vines and blossoms, bordered in red and gold at the top of the walls.
Grecian columns carved out of the soft rock appeared to hold a structure that was in fact part of the mountain. Everywhere the walls lived and breathed with color and ornament, but there were no Christian saints here. The figures that rose from the floor to gaze at us as we went down the rock-cut stairs were angelic and glorious but devoid of all faith iconography. They might have been celebrated members of our people for all I knew, with their shimmering and perfect faces, and grand robes of crimson or cobalt blue or twinkling silver.
Everywhere I saw mixtures of historical motifs, ribbons of egg-and-dart decoration dividing diamond-shaped panels of multipetaled flowers or dark blue night behind symmetrical stars, or painting so vividly real it seemed a glimpse here and there into a real garden. A great harmony held it all together, and gradually my eyes saw that much that had been done here was ancient and fading, yet other areas were fresh and still smelled of the pigment and plaster recently applied. The whole was a visual wonderland.
The lights. I had not noticed it before but of course all this was seen in a wealth of electric light, streaming from horizontal fixtures tucked everywhere along borders, in corners, and beneath the lower rim of the huge dome. The steady brilliance of electric light came from the many doorways.
We had come to a stop now on the marble tiled floor of this huge piazza-like place. I could feel the fresh air moving around us. It smelled of the night beyond, of water and green things.
From one of the doors came a figure to greet us, a blood drinker who resembled a young woman of perhaps twenty. Oval face, and oval eyes, and a complexion like cream.
“Lestat and Gabrielle,” she said as she drew near, her hands extended to include both of us. “I’m Bianca, Marius’s Bianca, from Venice.”
“Of course, I should have known you immediately,” I said. She felt soft and tender to me, remarkably so, in fact, considering she had five hundred years in the Blood and plenty of the blood of the Mother. All those years with Marius during which he protected the shrine of Those Who Must Be Kept, she’d drunk that precious blood. And she’d been made by Marius, and all those made by Marius had been well made, much better made than my fledglings.
I hadn’t known to take and give the Blood over and over as Marius had always done.
Bianca wore a simple black robe trimmed in gold, and her long hair was braided with what seemed a leafy vine of gold. And a delicate gold circlet around her head made me think of the painting the mortal painter Botticelli had done of her.
“You come with me, please, both of you,” she said.
We followed her down another corridor of splendid gold enameling, bordered in delicately wrought flowering trees with blossoms like jewels, and into another large and splendid chamber.
Behind a long heavy wooden table with carved legs sat Sevraine, who rose now to greet us. It had to be Sevraine. Indeed it was the same powerful and ancient immortal I’d seen rising out of the tunnel in Paris.
