Say My Name

Page 39

“He told you so, didn’t he?”
I think about what Bob had said last week when he had his fingers in my panties. About how he’d made this arrangement with my dad. About how we were getting good money. A lot more than a silly picture is worth, especially when he doesn’t even sell all of the pictures he takes. “You’re pretty, Elle, but do you really think you’ll grow up to be a model?”
I shake my head.
“So ask yourself what it is I’m paying your dad for.”
“He wouldn’t do that,” I say, but maybe he would. Because we need this money.
Suddenly, my brother, Ethan, is in the backseat of the car. “It’s okay because you love me. And if you stop and I die, it’ll be all your fault.”
My mother appears beside him. “What teenager wouldn’t want to be a model? You’re so, so lucky. And already you’re in an ad!”
She holds up the back-to-school ad for a local store. I’m confused for a moment because we haven’t shot that ad yet, but then I remember that this is a dream, and when I remember that, my mom and my brother disappear.
“Time to go in,” my dad says, and now I’m inside the building, leaning against a wall. Across the room, I see myself.
The other me is leaning against a fake Roman column. Bob is in front of me. He’s a photographer who does a lot of stock photo work that he sells to advertisers, graphic designers, and the like. His name is Cabot, but I’m supposed to call him Bob.
I have no idea how old he is, but I think probably in his early thirties. He’s clean shaven with silky dark hair that brushes his shoulders, and which he ties back with a leather band sometimes when he’s working. When I first met him, I thought he was cute. Now, seeing him makes me want to throw up.
I glance around the studio to see if anyone else is here. Bob has interns and a few assistants. Even a woman who comes in with a wardrobe rack. But there is no one today.
And I know why.
“Okay, Elle,” he says. “That’s good, but not quite there.”
He moves in front of me and turns on a fan. My hair—still long, still wavy—starts to flutter in the soft wind.
“Oh, yeah. That’s awesome. Seriously perfect for this shot.”
My stomach clenches.
“The dress, though …”
He moves to me, and even though I am standing in the shadows of the far side of the room, I can feel the brush of his fingers as he adjusts the other me’s dress. It’s pale blue and short, with buttons down the front and a fitted waist. The material is thin enough to have been caught by the manufactured breeze, and it flutters against my thighs.
“That’s better,” he says after he’s unfastened the top two buttons. “But your face. Come on, Elle, I’m going for a certain look. A softness. A sensuality. Can you give me that?”
I watch as my mouth tightens into a firm line. I say nothing.
“Put your arms above you,” he says. “Hold on to the column.”
I do.
“Good girl. And what a nice clean line that makes.” He trails his finger down my arm, then over the swell of my breast. He stops there, cupping my breast. I watch as the other me closes her eyes.
“Actually,” he says, “that’s not bad. The young and nubile female against the Roman pillar. It’s almost like a mythological theme. Almost like you’re Aphrodite.” He starts to unbutton my dress.
“No!” I say from my place in the shadows.
“Don’t,” I say at the column.
“Who’s in charge here?” he asks. “What am I paying for? While you’re here, you’re mine, remember? You have to trust me. It’s my job to make you look good, right?”
He pulls open the dress front, revealing my breasts, tight in the too-small bra.
I see myself squeeze my eyes tighter.
“Not gonna be a good shot if you don’t relax. But don’t worry, Elle. That’s part of my job. To make sure you look right on camera. To make sure you relax completely.”
As he talks, he’s undoing the rest of the buttons. I watch as he strokes me, as he touches me. I remember all the things he’s done—all the things he’s doing right now. Where his hands are. Where his mouth is.
I don’t watch him—I can’t. The world around me is turning gray and all I want to do is escape from these memories, but how can I leave when I would still be trapped here, that other me, angry and scared and so, so ashamed.
I hear Bob’s words, raw and needy, and grit my teeth. I keep my eyes locked on the other me’s face. That me is still standing, arms still above her head. And Bob is on his knees in front of me. He isn’t talking now.