Six Years
Page 36
“We should talk,” she said.
My grip on the phone tightened. “I’m listening.”
“I don’t trust phones,” Cookie said. There was a quake in her voice. “Can you get back up here?”
“I can drive up right now if you want.”
Cookie gave me directions to her home, not far from the café. I took 91 north and tried unsuccessfully not to speed. My heart pounded in my chest, keeping beat, it seemed, with whatever song was on the radio. By the time I reached the state line, it was near midnight. I had started that morning flying down to see Delia Sanderson. It had been a long day and for just a second, I could feel the exhaustion. I flashed back to the first time I saw Natalie’s painting of that cottage on the hill—to Cookie coming up behind me and asking if I liked it.
Why, I asked myself again, had Cookie acted as though she didn’t remember me when I stopped in the café?
There was something else that came back to me. Everyone else I met said that there had never been a Creative Recharge retreat, but when Cookie made her denial, she said, “We never worked at the retreat.”
I hadn’t caught that at the time, but if there had never been a retreat up that hill, wouldn’t your response be something like, “Huh? What retreat?”
I slowed as I passed Cookie’s bookshop café. There were only two streetlights, both casting long, menacing shadows. No people were present. The small town center was perfectly still, too still, like that scene in a zombie film before the hero gets surrounded by the flesh-eaters. I made a right at the end of the block, drove half a mile, made another right. There were no streetlights now. The only illumination at all came from my headlights. If I was passing houses or buildings, all the lights had been turned off there too. I guess no one out here left their lights on a timer to deter burglars. Smart move. I doubted in this darkness that burglars could find the homes.
I checked my GPS and saw that I was half a mile from my destination. Two more turns. Something akin to dread started seeping into my chest. We have all read about how certain animals and sea creatures can sense danger. They can actually feel threats or even oncoming natural disasters, almost as though they had survival radar or invisible tentacles reaching out and around corners. Somewhere, of course, primitive man must have had this ability too. That sort of survival stuff stays with us. It may lie dormant. It may wither away from lack of use. But that instinctive Neanderthal man is always there, lurking under our khakis and dress shirt.
Right now, to use vernacular from my comic-book youth, my Spidey senses were tingling.
I turned off the headlights and slowed to the curb in pitch darkness practically by sense of touch. There were no stones framing the street. The pavement just gave way to the grass. I didn’t know what I was about to do, but the more I thought about this, the more I thought that maybe some measure of care was in order.
I could walk from here.
I slipped out of the car. Once I closed the door, once all the light was gone, I realized just how dark it really was. The night seemed to be a living thing, consuming me, covering my eyes. I waited a minute or two, just standing there, letting my eyes adjust. Eyes adjusting to darkness—another one of those talents we undoubtedly inherited from primitive man. When I could see at least a few feet in front of me, I started on my way. I had my smartphone too. It was loaded up with apps I never used, but the one I did, the one that was probably the most useful and least techie, was the simple flashlight. I debated turning it on but decided against it.
If there was danger here—and I couldn’t imagine what that danger might be or what form it might take—I didn’t want to give it a heads-up with a shining flashlight. That had been the whole point of parking and sneaking up, right?
I flashed back to being trapped in the back of that van. I had no qualms about what I’d been forced to do to escape—I would do it again, of course, a thousand times over—but there was also no doubt that Otto’s final moments would haunt my sleep until the day I died. I would always hear the wet crack of that neck snapping, would always remember the feel of bone and cartilage giving way, ending a life. I had killed someone. I had snuffed out a human being.
Then my thoughts turned to Bob.
I slowed my step. What did Bob do after I escaped down the hill? He must have gotten back in his van, driven away, probably dumped Otto’s body someplace, and then . . .
Would he maybe try to find me again?
I thought about the strain in Cookie’s voice. What did she want to tell me? And why was it suddenly so urgent? Why call me up here now, late at night, not giving me a chance to think it all through?
I was on Cookie’s block now. Small lights were on in a few of the windows, giving the houses a spooky, jack-o’-lantern glow. The house at the end of the cul-de-sac had more lights on than the others.
Cookie’s.
I moved to the left to stay out of sight. Her front porch lights were on, so that wouldn’t be the way to approach. Not if I wanted to stay unseen. The house was a sprawling one-level, unnaturally long and slightly uneven, as though additions had been stuck on without much forethought. Staying low, I circled toward the side of the house. I tried to stay in the dark. I literally crawled the last ten yards toward the window with the brightest light.
Now what?
I was under the window on all fours. I stayed still and tried to listen. Nothing. There is silence, and then there is rural silence, silence you could feel and reach out and touch, silence with texture and distance. That was what surrounded me now. Real, true, rural silence.
I shifted my weight slightly. My knees cracked, the sound seemingly screaming through the stillness. I got my feet beneath me, my knees deeply bent, my hands on my thighs. I readied to push myself up like a human piston, so that I could take a peek in the window.
Keeping most of my face out of sight, I rose toward the corner of the window so that only one eye and the top right quadrant of my face would be exposed. I blinked in the sudden light and looked into the room.
Cookie was there.
She sat on the couch. Cookie’s back was ramrod straight. Her mouth was set. Denise, her partner, sat next to her. They were holding hands, but their faces were pale and drawn. The tension came off them in waves.
You didn’t have to be an expert in body language to see that they were nervous about something. It took me a few more moments to realize what that something was.
A man sat in the chair across from them.
His back was to me so that at first I could only see the top of his head.
My grip on the phone tightened. “I’m listening.”
“I don’t trust phones,” Cookie said. There was a quake in her voice. “Can you get back up here?”
“I can drive up right now if you want.”
Cookie gave me directions to her home, not far from the café. I took 91 north and tried unsuccessfully not to speed. My heart pounded in my chest, keeping beat, it seemed, with whatever song was on the radio. By the time I reached the state line, it was near midnight. I had started that morning flying down to see Delia Sanderson. It had been a long day and for just a second, I could feel the exhaustion. I flashed back to the first time I saw Natalie’s painting of that cottage on the hill—to Cookie coming up behind me and asking if I liked it.
Why, I asked myself again, had Cookie acted as though she didn’t remember me when I stopped in the café?
There was something else that came back to me. Everyone else I met said that there had never been a Creative Recharge retreat, but when Cookie made her denial, she said, “We never worked at the retreat.”
I hadn’t caught that at the time, but if there had never been a retreat up that hill, wouldn’t your response be something like, “Huh? What retreat?”
I slowed as I passed Cookie’s bookshop café. There were only two streetlights, both casting long, menacing shadows. No people were present. The small town center was perfectly still, too still, like that scene in a zombie film before the hero gets surrounded by the flesh-eaters. I made a right at the end of the block, drove half a mile, made another right. There were no streetlights now. The only illumination at all came from my headlights. If I was passing houses or buildings, all the lights had been turned off there too. I guess no one out here left their lights on a timer to deter burglars. Smart move. I doubted in this darkness that burglars could find the homes.
I checked my GPS and saw that I was half a mile from my destination. Two more turns. Something akin to dread started seeping into my chest. We have all read about how certain animals and sea creatures can sense danger. They can actually feel threats or even oncoming natural disasters, almost as though they had survival radar or invisible tentacles reaching out and around corners. Somewhere, of course, primitive man must have had this ability too. That sort of survival stuff stays with us. It may lie dormant. It may wither away from lack of use. But that instinctive Neanderthal man is always there, lurking under our khakis and dress shirt.
Right now, to use vernacular from my comic-book youth, my Spidey senses were tingling.
I turned off the headlights and slowed to the curb in pitch darkness practically by sense of touch. There were no stones framing the street. The pavement just gave way to the grass. I didn’t know what I was about to do, but the more I thought about this, the more I thought that maybe some measure of care was in order.
I could walk from here.
I slipped out of the car. Once I closed the door, once all the light was gone, I realized just how dark it really was. The night seemed to be a living thing, consuming me, covering my eyes. I waited a minute or two, just standing there, letting my eyes adjust. Eyes adjusting to darkness—another one of those talents we undoubtedly inherited from primitive man. When I could see at least a few feet in front of me, I started on my way. I had my smartphone too. It was loaded up with apps I never used, but the one I did, the one that was probably the most useful and least techie, was the simple flashlight. I debated turning it on but decided against it.
If there was danger here—and I couldn’t imagine what that danger might be or what form it might take—I didn’t want to give it a heads-up with a shining flashlight. That had been the whole point of parking and sneaking up, right?
I flashed back to being trapped in the back of that van. I had no qualms about what I’d been forced to do to escape—I would do it again, of course, a thousand times over—but there was also no doubt that Otto’s final moments would haunt my sleep until the day I died. I would always hear the wet crack of that neck snapping, would always remember the feel of bone and cartilage giving way, ending a life. I had killed someone. I had snuffed out a human being.
Then my thoughts turned to Bob.
I slowed my step. What did Bob do after I escaped down the hill? He must have gotten back in his van, driven away, probably dumped Otto’s body someplace, and then . . .
Would he maybe try to find me again?
I thought about the strain in Cookie’s voice. What did she want to tell me? And why was it suddenly so urgent? Why call me up here now, late at night, not giving me a chance to think it all through?
I was on Cookie’s block now. Small lights were on in a few of the windows, giving the houses a spooky, jack-o’-lantern glow. The house at the end of the cul-de-sac had more lights on than the others.
Cookie’s.
I moved to the left to stay out of sight. Her front porch lights were on, so that wouldn’t be the way to approach. Not if I wanted to stay unseen. The house was a sprawling one-level, unnaturally long and slightly uneven, as though additions had been stuck on without much forethought. Staying low, I circled toward the side of the house. I tried to stay in the dark. I literally crawled the last ten yards toward the window with the brightest light.
Now what?
I was under the window on all fours. I stayed still and tried to listen. Nothing. There is silence, and then there is rural silence, silence you could feel and reach out and touch, silence with texture and distance. That was what surrounded me now. Real, true, rural silence.
I shifted my weight slightly. My knees cracked, the sound seemingly screaming through the stillness. I got my feet beneath me, my knees deeply bent, my hands on my thighs. I readied to push myself up like a human piston, so that I could take a peek in the window.
Keeping most of my face out of sight, I rose toward the corner of the window so that only one eye and the top right quadrant of my face would be exposed. I blinked in the sudden light and looked into the room.
Cookie was there.
She sat on the couch. Cookie’s back was ramrod straight. Her mouth was set. Denise, her partner, sat next to her. They were holding hands, but their faces were pale and drawn. The tension came off them in waves.
You didn’t have to be an expert in body language to see that they were nervous about something. It took me a few more moments to realize what that something was.
A man sat in the chair across from them.
His back was to me so that at first I could only see the top of his head.
