Someone to Care
Page 5
That was when the catastrophe had hit.
For it had been discovered that the young woman concerned, Anna Snow, then twenty-five years old and a teacher at the orphanage, was in fact the late earl’s legitimate daughter by a previous wife. By his only wife as it happened. He had married Viola a few months before Anna Snow’s mother died of consumption. Viola’s marriage had been a bigamous one. Worse, her son and her daughters were illegitimate. Harry was stripped of his title and fortune—the title had passed to his second cousin, Alexander Westcott, and the fortune to Anna. All of it. The earl had made only one will, and that had been drawn up while he was still with his first wife. Everything that was not entailed went to his daughter by that marriage. Camille and Abigail lost their titles and their portions. Camille was cast off by Lord Uxbury. Abigail would have no come-out Season or any prospect of making the sort of marriage she had been brought up to expect. They had been left destitute, though Anna had tried to insist that her fortune be divided equally among her half siblings and herself. But at the time, she was a stranger to them. In their pride and hurt and bewilderment, they had all refused. Viola had resumed her maiden name.
To say that the bottom had fallen out of her world would be severely to understate the case. The enormity of what had happened to her and her children had been too much for her mind to bear. She had lived on. How could she not, short of putting an end to her own existence? And in the two years since then her life had settled into a new order that was really more bearable than she could have expected. Harry was serving as a captain with a rifle regiment in the Peninsula and was forever cheerful in his insistence that it was just the life for him. Camille was married to a much better man than her former betrothed and they had three children—two adopted and one their own. Abigail lived with Viola at Hinsford Manor in Hampshire, where Viola had spent most of her marriage. What had truly been unexpected after the whole mess was that Anna Snow would end up marrying Harry’s guardian, Avery, Duke of Netherby. But she had, and was a duchess now herself. She had insisted she would never live at Hinsford Manor herself and had begged Viola not to let it sit empty. She had even written into her will that the house would pass to Harry and his descendants after her time if he would not accept it before then. The large dowry Viola’s father had given when she married Humphrey had been returned, with all the interest it would have accrued since then. Anna had insisted upon it and taken care of it even before Viola could think of it for herself.
Meanwhile, the rest of the Westcott family, far from shunning Viola and her children after the truth became known, had made every effort to draw them back into the fold. As one, they had made it clear to Viola and her children that they were no less loved and valued now than they ever had been, and no less a part of the family. Two of Viola’s sisters-in-law, the earl’s sisters, were still fond of saying that they dearly wished Humphrey were still alive so that they could have the pleasure of killing him themselves.
All was well, in fact. Or as well as it would ever be after a few necessary adjustments had been made. Viola, who had lived her whole adult life according to the two guiding principles of duty and dignity, appeared to be back to normal, albeit with a different name. She had convinced herself that she was back to normal, anyway.
Until she was not.
Until she snapped—unexpectedly and for no apparent reason. The trauma of what she had experienced had stealthily crept up behind her and then pounced. And she knew that she had not healed at all. She had only suppressed the pain and the hurt. And the anger.
She had snapped at the worst possible time, when the family had all gathered in Bath for the christening of Jacob Cunningham, Camille and Joel’s newborn son. They had all agreed to stay on afterward for two weeks of family activities. But two days after the event, Viola, the baby’s own proud grandmother, had fled.
She had left Bath feeling guilty and out of sorts and sorry for herself and hurt and angry and all sorts of other nasty, negative things that had no rational explanation. She had simply behaved badly, and that was something she rarely did. Through all her forty-two years she had been known for her graciousness of manner and the evenness of her temper. Yet now she had hurt and bewildered those who were dearest to her in the world. And she had done it deliberately, almost spitefully. She had insisted upon returning home to Hinsford against all reason and against the pleadings of her daughters and son-in-law and the protests of her mother and brother and the Westcott family.
She had announced her intention of returning home. Alone. In a hired carriage. She had pointedly insisted upon leaving her own carriage and servants, even her personal maid, for the use of Abigail when she should decide to return home. She had ignored the shocked protestations of Camille and Joel that they would of course see Abby properly conveyed and escorted home when the time came. She had ignored the kindness of the Dowager Countess of Riverdale, her former mother-in-law, who had come all the way to Bath, though she was in her seventies. She had ignored the kind effort Wren, the present countess, Alexander’s wife, had made to come to Bath despite the fact that she was herself in expectation of a happy event, as Matilda, the eldest of Viola’s former sisters-in-law, liked to describe pregnancy.
Viola had told them all to mind their own business. Yes, she had used those exact words. She had probably never in her life used them before. And she had spoken sharply, without humor or consideration for the feelings she was hurting. She wanted to be left alone. She had told them that too.
Leave me alone, she had said more than once—like a petulant child.
And she had no idea why she had so suddenly snapped.
She had gone to Bath with Abigail just before Jacob’s birth, brimful of anxiety and excitement at the imminent arrival of a new grandchild, and she had been happier when it had happened than she had been in a long while. Camille and Joel Cunningham lived in a manor in the hills above Bath with Winifred and Sarah, their adopted daughters, and now with their son too. They used the house for a variety of purposes—for artistic or writing retreats, for workshops in music and dance and painting and other arts, for plays and concerts, and for visits varying from one day to several days of the children from the orphanage in Bath where both Anna and Joel had grown up and Camille had taught briefly before her marriage. The house and extensive garden were always teeming with life and activity. Even just before and after Jacob’s birth, it had remained a busy, noisy place.
The amazing thing was that Camille appeared to be thriving. She had not yet lost all the weight she had gained when she was expecting Jacob, and she often looked slightly untidy, some of her hair fallen out of its pins, her sleeves pushed halfway to her elbows, her feet as often as not unshod, even when she stepped outdoors. She always seemed to have Jacob bundled up in her arms while Sarah clung to her skirt and Winifred hovered close—except when Joel was around to share the parenting, as he often was. She never seemed harried.
Sometimes it was hard for Viola to recognize in her elder daughter the severe, straitlaced, always rigidly correct former Lady Camille Westcott, who had never set a foot wrong and had lacked any discernible sense of humor. Now she seemed vividly happy in a life that was as different from the one she had expected as it could possibly be.
Everything had gone well with the birth and the plans for the christening and the event itself. Abigail had been ecstatic, for her dearest friend came too for the occasion—her cousin Jessica Archer, daughter of one of Humphrey’s sisters. Viola had been happy. She had developed a close friendship with Alexander’s wife, Wren, the year before, and she was delighted to renew it this year. She was happy that her brother and his wife had come from Dorset. Dinners, parties, teas, excursions, walks, concerts—any number of family events had been planned. Viola had been looking forward to them.
For it had been discovered that the young woman concerned, Anna Snow, then twenty-five years old and a teacher at the orphanage, was in fact the late earl’s legitimate daughter by a previous wife. By his only wife as it happened. He had married Viola a few months before Anna Snow’s mother died of consumption. Viola’s marriage had been a bigamous one. Worse, her son and her daughters were illegitimate. Harry was stripped of his title and fortune—the title had passed to his second cousin, Alexander Westcott, and the fortune to Anna. All of it. The earl had made only one will, and that had been drawn up while he was still with his first wife. Everything that was not entailed went to his daughter by that marriage. Camille and Abigail lost their titles and their portions. Camille was cast off by Lord Uxbury. Abigail would have no come-out Season or any prospect of making the sort of marriage she had been brought up to expect. They had been left destitute, though Anna had tried to insist that her fortune be divided equally among her half siblings and herself. But at the time, she was a stranger to them. In their pride and hurt and bewilderment, they had all refused. Viola had resumed her maiden name.
To say that the bottom had fallen out of her world would be severely to understate the case. The enormity of what had happened to her and her children had been too much for her mind to bear. She had lived on. How could she not, short of putting an end to her own existence? And in the two years since then her life had settled into a new order that was really more bearable than she could have expected. Harry was serving as a captain with a rifle regiment in the Peninsula and was forever cheerful in his insistence that it was just the life for him. Camille was married to a much better man than her former betrothed and they had three children—two adopted and one their own. Abigail lived with Viola at Hinsford Manor in Hampshire, where Viola had spent most of her marriage. What had truly been unexpected after the whole mess was that Anna Snow would end up marrying Harry’s guardian, Avery, Duke of Netherby. But she had, and was a duchess now herself. She had insisted she would never live at Hinsford Manor herself and had begged Viola not to let it sit empty. She had even written into her will that the house would pass to Harry and his descendants after her time if he would not accept it before then. The large dowry Viola’s father had given when she married Humphrey had been returned, with all the interest it would have accrued since then. Anna had insisted upon it and taken care of it even before Viola could think of it for herself.
Meanwhile, the rest of the Westcott family, far from shunning Viola and her children after the truth became known, had made every effort to draw them back into the fold. As one, they had made it clear to Viola and her children that they were no less loved and valued now than they ever had been, and no less a part of the family. Two of Viola’s sisters-in-law, the earl’s sisters, were still fond of saying that they dearly wished Humphrey were still alive so that they could have the pleasure of killing him themselves.
All was well, in fact. Or as well as it would ever be after a few necessary adjustments had been made. Viola, who had lived her whole adult life according to the two guiding principles of duty and dignity, appeared to be back to normal, albeit with a different name. She had convinced herself that she was back to normal, anyway.
Until she was not.
Until she snapped—unexpectedly and for no apparent reason. The trauma of what she had experienced had stealthily crept up behind her and then pounced. And she knew that she had not healed at all. She had only suppressed the pain and the hurt. And the anger.
She had snapped at the worst possible time, when the family had all gathered in Bath for the christening of Jacob Cunningham, Camille and Joel’s newborn son. They had all agreed to stay on afterward for two weeks of family activities. But two days after the event, Viola, the baby’s own proud grandmother, had fled.
She had left Bath feeling guilty and out of sorts and sorry for herself and hurt and angry and all sorts of other nasty, negative things that had no rational explanation. She had simply behaved badly, and that was something she rarely did. Through all her forty-two years she had been known for her graciousness of manner and the evenness of her temper. Yet now she had hurt and bewildered those who were dearest to her in the world. And she had done it deliberately, almost spitefully. She had insisted upon returning home to Hinsford against all reason and against the pleadings of her daughters and son-in-law and the protests of her mother and brother and the Westcott family.
She had announced her intention of returning home. Alone. In a hired carriage. She had pointedly insisted upon leaving her own carriage and servants, even her personal maid, for the use of Abigail when she should decide to return home. She had ignored the shocked protestations of Camille and Joel that they would of course see Abby properly conveyed and escorted home when the time came. She had ignored the kindness of the Dowager Countess of Riverdale, her former mother-in-law, who had come all the way to Bath, though she was in her seventies. She had ignored the kind effort Wren, the present countess, Alexander’s wife, had made to come to Bath despite the fact that she was herself in expectation of a happy event, as Matilda, the eldest of Viola’s former sisters-in-law, liked to describe pregnancy.
Viola had told them all to mind their own business. Yes, she had used those exact words. She had probably never in her life used them before. And she had spoken sharply, without humor or consideration for the feelings she was hurting. She wanted to be left alone. She had told them that too.
Leave me alone, she had said more than once—like a petulant child.
And she had no idea why she had so suddenly snapped.
She had gone to Bath with Abigail just before Jacob’s birth, brimful of anxiety and excitement at the imminent arrival of a new grandchild, and she had been happier when it had happened than she had been in a long while. Camille and Joel Cunningham lived in a manor in the hills above Bath with Winifred and Sarah, their adopted daughters, and now with their son too. They used the house for a variety of purposes—for artistic or writing retreats, for workshops in music and dance and painting and other arts, for plays and concerts, and for visits varying from one day to several days of the children from the orphanage in Bath where both Anna and Joel had grown up and Camille had taught briefly before her marriage. The house and extensive garden were always teeming with life and activity. Even just before and after Jacob’s birth, it had remained a busy, noisy place.
The amazing thing was that Camille appeared to be thriving. She had not yet lost all the weight she had gained when she was expecting Jacob, and she often looked slightly untidy, some of her hair fallen out of its pins, her sleeves pushed halfway to her elbows, her feet as often as not unshod, even when she stepped outdoors. She always seemed to have Jacob bundled up in her arms while Sarah clung to her skirt and Winifred hovered close—except when Joel was around to share the parenting, as he often was. She never seemed harried.
Sometimes it was hard for Viola to recognize in her elder daughter the severe, straitlaced, always rigidly correct former Lady Camille Westcott, who had never set a foot wrong and had lacked any discernible sense of humor. Now she seemed vividly happy in a life that was as different from the one she had expected as it could possibly be.
Everything had gone well with the birth and the plans for the christening and the event itself. Abigail had been ecstatic, for her dearest friend came too for the occasion—her cousin Jessica Archer, daughter of one of Humphrey’s sisters. Viola had been happy. She had developed a close friendship with Alexander’s wife, Wren, the year before, and she was delighted to renew it this year. She was happy that her brother and his wife had come from Dorset. Dinners, parties, teas, excursions, walks, concerts—any number of family events had been planned. Viola had been looking forward to them.
