Tender Is the Night
Page 3
“Been here long?”
“Only a day.”
“Oh.”
Evidently feeling that the subject had been thoroughly changed, he looked in turn at the others.
“Going to stay all summer?” asked Mrs. McKisco, innocently. “If you do you can watch the plot unfold.”
“For God’s sake, Violet, drop the subject!” exploded her husband. “Get a new joke, for God’s sake!”
Mrs. McKisco swayed toward Mrs. Abrams and breathed audibly:
“He’s nervous.”
“I’m not nervous,” disagreed McKisco. “It just happens I’m not nervous at all.”
He was burning visibly—a grayish flush had spread over his face, dissolving all his expressions into a vast ineffectuality. Suddenly remotely conscious of his condition he got up to go in the water, followed by his wife, and seizing the opportunity Rosemary followed.
Mr. McKisco drew a long breath, flung himself into the shallows and began a stiff-armed batting of the Mediterranean, obviously intended to suggest a crawl—his breath exhausted he arose and looked around with an expression of surprise that he was still in sight of shore.
“I haven’t learned to breathe yet. I never quite understood how they breathed.” He looked at Rosemary inquiringly.
“I think you breathe out under water,” she explained. “And every fourth beat you roll your head over for air.”
“The breathing’s the hardest part for me. Shall we go to the raft?”
The man with the leonine head lay stretched out upon the raft, which tipped back and forth with the motion of the water. As Mrs. McKisco reached for it a sudden tilt struck her arm up roughly, whereupon the man started up and pulled her on board.
“I was afraid it hit you.” His voice was slow and shy; he had one of the saddest faces Rosemary had ever seen, the high cheekbones of an Indian, a long upper lip, and enormous deep-set dark golden eyes. He had spoken out of the side of his mouth, as if he hoped his words would reach Mrs. McKisco by a circuitous and unobtrusive route; in a minute he had shoved off into the water and his long body lay motionless toward shore.
Rosemary and Mrs. McKisco watched him. When he had exhausted his momentum he abruptly bent double, his thin thighs rose above the surface, and he disappeared totally, leaving scarcely a fleck of foam behind.
“He’s a good swimmer,” Rosemary said.
Mrs. McKisco’s answer came with surprising violence.
“Well, he’s a rotten musician.” She turned to her husband, who after two unsuccessful attempts had managed to climb on the raft, and having attained his balance was trying to make some kind of compensatory flourish, achieving only an extra stagger. “I was just saying that Abe North may be a good swimmer but he’s a rotten musician.”
“Yes,” agreed McKisco, grudgingly. Obviously he had created his wife’s world, and allowed her few liberties in it.
“Antheil’s my man.” Mrs. McKisco turned challengingly to Rosemary, “Anthiel and Joyce. I don’t suppose you ever hear much about those sort of people in Hollywood, but my husband wrote the first criticism of Ulysses that ever appeared in America.”
“I wish I had a cigarette,” said McKisco calmly. “That’s more important to me just now.”
“He’s got insides—don’t you think so, Albert?”
Her voice faded off suddenly. The woman of the pearls had joined her two children in the water, and now Abe North came up under one of them like a volcanic island, raising him on his shoulders. The child yelled with fear and delight and the woman watched with a lovely peace, without a smile.
“Is that his wife?” Rosemary asked.
“No, that’s Mrs. Diver. They’re not at the hotel.” Her eyes, photographic, did not move from the woman’s face. After a moment she turned vehemently to Rosemary.
“Have you been abroad before?”
“Yes—I went to school in Paris.”
“Oh! Well then you probably know that if you want to enjoy yourself here the thing is to get to know some real French families. What do these people get out of it?” She pointed her left shoulder toward shore. “They just stick around with each other in little cliques. Of course, we had letters of introduction and met all the best French artists and writers in Paris. That made it very nice.”
“I should think so.”
“My husband is finishing his first novel, you see.”
Rosemary said: “Oh, he is?” She was not thinking anything special, except wondering whether her mother had got to sleep in this heat.
“It’s on the idea of Ulysses,” continued Mrs. McKisco. “Only instead of taking twenty-four hours my husband takes a hundred years. He takes a decayed old French aristocrat and puts him in contrast with the mechanical age—”
“Oh, for God’s sake, Violet, don’t go telling everybody the idea,” protested McKisco. “I don’t want it to get all around before the book’s published.”
Rosemary swam back to the shore, where she threw her peignoir over her already sore shoulders and lay down again in the sun. The man with the jockey cap was now going from umbrella to umbrella carrying a bottle and little glasses in his hands; presently he and his friends grew livelier and closer together and now they were all under a single assemblage of umbrellas—she gathered that some one was leaving and that this was a last drink on the beach. Even the children knew that excitement was generating under that umbrella and turned toward it—and it seemed to Rosemary that it all came from the man in the jockey cap.
“Only a day.”
“Oh.”
Evidently feeling that the subject had been thoroughly changed, he looked in turn at the others.
“Going to stay all summer?” asked Mrs. McKisco, innocently. “If you do you can watch the plot unfold.”
“For God’s sake, Violet, drop the subject!” exploded her husband. “Get a new joke, for God’s sake!”
Mrs. McKisco swayed toward Mrs. Abrams and breathed audibly:
“He’s nervous.”
“I’m not nervous,” disagreed McKisco. “It just happens I’m not nervous at all.”
He was burning visibly—a grayish flush had spread over his face, dissolving all his expressions into a vast ineffectuality. Suddenly remotely conscious of his condition he got up to go in the water, followed by his wife, and seizing the opportunity Rosemary followed.
Mr. McKisco drew a long breath, flung himself into the shallows and began a stiff-armed batting of the Mediterranean, obviously intended to suggest a crawl—his breath exhausted he arose and looked around with an expression of surprise that he was still in sight of shore.
“I haven’t learned to breathe yet. I never quite understood how they breathed.” He looked at Rosemary inquiringly.
“I think you breathe out under water,” she explained. “And every fourth beat you roll your head over for air.”
“The breathing’s the hardest part for me. Shall we go to the raft?”
The man with the leonine head lay stretched out upon the raft, which tipped back and forth with the motion of the water. As Mrs. McKisco reached for it a sudden tilt struck her arm up roughly, whereupon the man started up and pulled her on board.
“I was afraid it hit you.” His voice was slow and shy; he had one of the saddest faces Rosemary had ever seen, the high cheekbones of an Indian, a long upper lip, and enormous deep-set dark golden eyes. He had spoken out of the side of his mouth, as if he hoped his words would reach Mrs. McKisco by a circuitous and unobtrusive route; in a minute he had shoved off into the water and his long body lay motionless toward shore.
Rosemary and Mrs. McKisco watched him. When he had exhausted his momentum he abruptly bent double, his thin thighs rose above the surface, and he disappeared totally, leaving scarcely a fleck of foam behind.
“He’s a good swimmer,” Rosemary said.
Mrs. McKisco’s answer came with surprising violence.
“Well, he’s a rotten musician.” She turned to her husband, who after two unsuccessful attempts had managed to climb on the raft, and having attained his balance was trying to make some kind of compensatory flourish, achieving only an extra stagger. “I was just saying that Abe North may be a good swimmer but he’s a rotten musician.”
“Yes,” agreed McKisco, grudgingly. Obviously he had created his wife’s world, and allowed her few liberties in it.
“Antheil’s my man.” Mrs. McKisco turned challengingly to Rosemary, “Anthiel and Joyce. I don’t suppose you ever hear much about those sort of people in Hollywood, but my husband wrote the first criticism of Ulysses that ever appeared in America.”
“I wish I had a cigarette,” said McKisco calmly. “That’s more important to me just now.”
“He’s got insides—don’t you think so, Albert?”
Her voice faded off suddenly. The woman of the pearls had joined her two children in the water, and now Abe North came up under one of them like a volcanic island, raising him on his shoulders. The child yelled with fear and delight and the woman watched with a lovely peace, without a smile.
“Is that his wife?” Rosemary asked.
“No, that’s Mrs. Diver. They’re not at the hotel.” Her eyes, photographic, did not move from the woman’s face. After a moment she turned vehemently to Rosemary.
“Have you been abroad before?”
“Yes—I went to school in Paris.”
“Oh! Well then you probably know that if you want to enjoy yourself here the thing is to get to know some real French families. What do these people get out of it?” She pointed her left shoulder toward shore. “They just stick around with each other in little cliques. Of course, we had letters of introduction and met all the best French artists and writers in Paris. That made it very nice.”
“I should think so.”
“My husband is finishing his first novel, you see.”
Rosemary said: “Oh, he is?” She was not thinking anything special, except wondering whether her mother had got to sleep in this heat.
“It’s on the idea of Ulysses,” continued Mrs. McKisco. “Only instead of taking twenty-four hours my husband takes a hundred years. He takes a decayed old French aristocrat and puts him in contrast with the mechanical age—”
“Oh, for God’s sake, Violet, don’t go telling everybody the idea,” protested McKisco. “I don’t want it to get all around before the book’s published.”
Rosemary swam back to the shore, where she threw her peignoir over her already sore shoulders and lay down again in the sun. The man with the jockey cap was now going from umbrella to umbrella carrying a bottle and little glasses in his hands; presently he and his friends grew livelier and closer together and now they were all under a single assemblage of umbrellas—she gathered that some one was leaving and that this was a last drink on the beach. Even the children knew that excitement was generating under that umbrella and turned toward it—and it seemed to Rosemary that it all came from the man in the jockey cap.
