Whiplash
Page 18
"When I went by Chez Pierre before I met you guys, the owner, Paul Remier, was there. He showed me the reservations page for last night. There was no Helmut Blauvelt listed."
"Which means, I hope," Savich said, "that he was there with someone, and the reservation was under that someone's name."
"Nope. I spoke to the maitre d'. He told me there was a last-minute cancellation and just as he was hanging up the phone, in walked this single middle-aged gentleman. Well-dressed, spoke with a slight accent. Couldn't say if he was German or not.
"Then I got hold of the waiter. He said no one came near the guy the whole time he was there. But he also said they were really busy and he could have missed something.
"The same waiter will be at Chez Pierre tonight, so you guys can talk to him yourselves. I'm still hopeful someone there can help us. I asked all of them to think about it."
Sherlock said, "You've covered a lot of the bases, Bowie." She sighed. "Wouldn't it be nice if something in this life was easy?"
Bowie gave them a small salute, patted his jacket pocket to be sure his cell was safely inside, and started to leave. He called out over his shoulder, a big grin on his face, "I sure hope you enjoy Norman Bates Inn." There was a slight pause, and a waggle of dark eyebrows. "Most do."
They were shown to an antique-filled large corner room on the second floor of the Norman Bates Inn, with a dozen framed posters from Psycho on the walls. Savich said, "I need to call Senator Hoffman. He's probably wondering what's going on after last night, and I did tell him I'd get back to him soon."
Sherlock was studying the classic image of Janet Leigh being stabbed in the shower, when she heard Dillon say into his cell, "Senator, Sherlock and I are in Connecticut. We're here to look into the murder of a German national. But first, I wanted to give you an update on what happened this morning."
Sherlock listened in as Savich repeated to Hoffman what he had already told her, and watched Savich fall silent as he listened to Hoffman's utter disbelief flow over him, followed by a dozen questions.
When Senator Hoffman finally ran down, Savich said, "Yes sir, I do know how difficult this is to accept. I know it sounds like madness, but it really is Nikki. On the other hand, seeing something float outside your bedroom window most every night sounds pretty nuts too.
"Do you know what Nikki is talking about? What it is you don't understand? What is this danger you're facing?"
Savich listened to Senator Hoffman huff and deny there could be any danger-"I mean, who, Agent Savich, would want to hurt me?"-and nearly hyperventilate, then hang up.
Savich looked at Sherlock, who was smoothing a pair of black pants onto a wooden hanger, and gave her a crooked grin. "Understandably, the good senator is shaken and disbelieving, and wishes he'd never contacted us. He says he has no clue what his dead wife could be warning him about." Savich shrugged. "Nothing more to be done, I suppose, until something really bad happens or I get a chance to talk to Nikki."
"You think you will?"
"I have no idea."
When they left Norman Bates Inn, Savich patted the black Pontiac G6's roof in the inn's parking lot. "Nicer wheels this time. What do you say we pay a visit to Carla Alvarez and Caskie Royal after we visit Milo's Deli right down the street?"
9
SCHIFFER HARTWIN U.S. HEADQUARTERS
STONE BRIDGE, CONNECTICUT
Late Monday afternoon
When Sherlock and Savich stepped out of the third-floor elevator into the Schiffer Hartwin executive reception area, they saw three assistants, their heads close, no doubt buzzing with speculation about the murder and break-in. The reception space was good-sized, but not particularly plush. The chairs looked comfortable enough, the magazines on the tables not too ancient. Behind a counter there was a well-equipped work station, on the wall behind it a half-dozen framed black-and-white photographs of nineteenth-century Stone Bridge.
At the sight of the two strangers, two of the three assistants slithered away. After they showed their creds to a dimpled young woman who looked both worried and excited, Sherlock was directed to the second door on the right, and Savich to the last office on the left.
Sherlock paused at a big door emblazoned in gold lettering: C. Alvarez, Production Manager.
An assistant sat at her work station in front of that impressive door. She was a young woman who sported blond hair in a brush cut maybe a half-inch long all over her head, and bright red lipstick. She looked, Sherlock thought, both clever and hip, like she could toss down a few straight vodkas and remain standing.
"Which means, I hope," Savich said, "that he was there with someone, and the reservation was under that someone's name."
"Nope. I spoke to the maitre d'. He told me there was a last-minute cancellation and just as he was hanging up the phone, in walked this single middle-aged gentleman. Well-dressed, spoke with a slight accent. Couldn't say if he was German or not.
"Then I got hold of the waiter. He said no one came near the guy the whole time he was there. But he also said they were really busy and he could have missed something.
"The same waiter will be at Chez Pierre tonight, so you guys can talk to him yourselves. I'm still hopeful someone there can help us. I asked all of them to think about it."
Sherlock said, "You've covered a lot of the bases, Bowie." She sighed. "Wouldn't it be nice if something in this life was easy?"
Bowie gave them a small salute, patted his jacket pocket to be sure his cell was safely inside, and started to leave. He called out over his shoulder, a big grin on his face, "I sure hope you enjoy Norman Bates Inn." There was a slight pause, and a waggle of dark eyebrows. "Most do."
They were shown to an antique-filled large corner room on the second floor of the Norman Bates Inn, with a dozen framed posters from Psycho on the walls. Savich said, "I need to call Senator Hoffman. He's probably wondering what's going on after last night, and I did tell him I'd get back to him soon."
Sherlock was studying the classic image of Janet Leigh being stabbed in the shower, when she heard Dillon say into his cell, "Senator, Sherlock and I are in Connecticut. We're here to look into the murder of a German national. But first, I wanted to give you an update on what happened this morning."
Sherlock listened in as Savich repeated to Hoffman what he had already told her, and watched Savich fall silent as he listened to Hoffman's utter disbelief flow over him, followed by a dozen questions.
When Senator Hoffman finally ran down, Savich said, "Yes sir, I do know how difficult this is to accept. I know it sounds like madness, but it really is Nikki. On the other hand, seeing something float outside your bedroom window most every night sounds pretty nuts too.
"Do you know what Nikki is talking about? What it is you don't understand? What is this danger you're facing?"
Savich listened to Senator Hoffman huff and deny there could be any danger-"I mean, who, Agent Savich, would want to hurt me?"-and nearly hyperventilate, then hang up.
Savich looked at Sherlock, who was smoothing a pair of black pants onto a wooden hanger, and gave her a crooked grin. "Understandably, the good senator is shaken and disbelieving, and wishes he'd never contacted us. He says he has no clue what his dead wife could be warning him about." Savich shrugged. "Nothing more to be done, I suppose, until something really bad happens or I get a chance to talk to Nikki."
"You think you will?"
"I have no idea."
When they left Norman Bates Inn, Savich patted the black Pontiac G6's roof in the inn's parking lot. "Nicer wheels this time. What do you say we pay a visit to Carla Alvarez and Caskie Royal after we visit Milo's Deli right down the street?"
9
SCHIFFER HARTWIN U.S. HEADQUARTERS
STONE BRIDGE, CONNECTICUT
Late Monday afternoon
When Sherlock and Savich stepped out of the third-floor elevator into the Schiffer Hartwin executive reception area, they saw three assistants, their heads close, no doubt buzzing with speculation about the murder and break-in. The reception space was good-sized, but not particularly plush. The chairs looked comfortable enough, the magazines on the tables not too ancient. Behind a counter there was a well-equipped work station, on the wall behind it a half-dozen framed black-and-white photographs of nineteenth-century Stone Bridge.
At the sight of the two strangers, two of the three assistants slithered away. After they showed their creds to a dimpled young woman who looked both worried and excited, Sherlock was directed to the second door on the right, and Savich to the last office on the left.
Sherlock paused at a big door emblazoned in gold lettering: C. Alvarez, Production Manager.
An assistant sat at her work station in front of that impressive door. She was a young woman who sported blond hair in a brush cut maybe a half-inch long all over her head, and bright red lipstick. She looked, Sherlock thought, both clever and hip, like she could toss down a few straight vodkas and remain standing.
