Animal Dreams
Page 119
It was awkward getting started. I remembered the last time I'd hugged her, thinking I could hold on and stop our lives right there. I took some breaths. "Hallie asked to be buried in Nicaragua," I said. "She wanted that. To enrich the soil of a jungle. But I wanted something here too." I stopped, because it sounded to me like small talk. Words only cover the experience of living. I looked around at the unpretentious faces like slices of bread, all the black dresses, the dark shoes, and I looked up at the bright leaves lit from above. It was a brilliant, hot day and I didn't feel at all like crying. The black dresses made me think of Greece. Nothing seemed quite real.
Several peacocks had gathered in the trees behind our heads, keeping their distance, but curious, probably hoping for food. A peacock wouldn't know the difference between a picnic and a funeral. The outward signs were similar.
"Do you think we should sing?" I asked.
"Yes," said Emelina. "We ought to sing."
"What?" I couldn't think of any particular song that Hallie liked, except some silly things from our teenage years. "Mother and Child Reunion" and "Maggie May." I thought of Hallie moonwalking to "Thriller," and then I thought abstractly about never seeing her again, what that really meant. In the back of my mind I was still wondering when she would come home. I couldn't concentrate. Someone suggested "Let the Circle Be Unbroken," so we sang that, and then we sang "De Colores" because everybody knew it. Norma Galvez's husband Cassandro played the guitar.
Then it was quiet again. People shifted slightly on their feet, the same motion repeated many times throughout the crowd, like the dancers at Santa Rosalia. Except unconscious, and unrehearsed. I pulled some letters out of my pocket and read parts of them that Emelina had helped me pick out. I read what Hallie said about not wanting to save the world, that you didn't choose your road for the reward at the end, but for the way it felt as you went along. And I read some things she'd said about nations forgetting. Refusing to sell tractor parts, then wondering why people would turn to Yugoslavia for tractors. I was aware that my reading might seem a little rambling, but I felt there was some logic to it, and people were tolerant. Truly, I think they would have listened to me all day. It occurred to me that such patience might be the better part of love.
I read a quote she'd written me that seemed important, a thing said by Father Fernando Cardenal, who was in charge of the literacy crusade: "You learn to read so you can identify the reality in which you live, so that you can become a protagonist of history rather than a spectator." I waited a minute, while a peacock screamed. Then I read some words of Hallie's: "The very least you can do in your life is to figure out what you hope for. And the most..."
Another peacock suddenly howled nearby. I saw Emelina's twins craning their necks, trying to spot it. I went on:
"And the most you can do is live inside that hope. What I want is so simple I almost can't say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyers nor the destroyed."
I finished by reading the letter from Sister Sabina Martin. She said thousands of people joined us in mourning Hallie. "I know that doesn't make your grief any smaller," she wrote. "But I believe it makes Hallie's presence larger. Certainly, she won't be forgotten."
Several peafowl had hopped to the ground and were making insistent, guttural noises, impatient for food. I saw Glen and Curtis sneak off into the trees in pursuit of a peacock they'd never catch.
"This is what I brought." I knelt by the afghan and set down a pair of Hallie's small black shoes, about second-grade size. They could have been mine, it was impossible to tell, but I said they were Hallie's. I put them in the center of the red-and-black crocheted blanket. "I brought these because they just reminded me of growing up with Hallie. We had to wear these ugly shoes. It was just one of the important things we did together. I don't know. We felt kind of alone sometimes." I stood up and looked at the trees through the curtain of water in my eyes.
Viola laid down some marigolds. She had on her polyester, the funeral dress for all seasons, and she was perspiring; broad damp spots underlined her bosom. "Whenever I think of you kids I think of the cempazuchiles and being up at the graveyard for All Souls'. You were always a very big help."
I looked at Viola. She stared back, rubbing the bridge of her nose. There was the faintest light of a smile.
Several women had things they claimed we'd left in their houses when we played there as children: a doll with unpleasant glass eyes and a gruesomely pockmarked head where its hair had come out; a largish plastic horse; a metal hen that, when you pushed her down on her feet, made a metallic cluck and laid a small marble egg. Also a pink sweater, size 6X. Mrs. Nunez swore it was Hallie's. "It was behind the refrigerator. I didn't find it till last year when the refrigerator give out and we had to call the man to move it out and get us a new one in there. The dust, I hate to tell you! And there was this little sweater of Halimeda Noline's. She used to set up there on top of the refrigerator, because I told her she couldn't drink beer till she was as tall as her daddy."
Several peacocks had gathered in the trees behind our heads, keeping their distance, but curious, probably hoping for food. A peacock wouldn't know the difference between a picnic and a funeral. The outward signs were similar.
"Do you think we should sing?" I asked.
"Yes," said Emelina. "We ought to sing."
"What?" I couldn't think of any particular song that Hallie liked, except some silly things from our teenage years. "Mother and Child Reunion" and "Maggie May." I thought of Hallie moonwalking to "Thriller," and then I thought abstractly about never seeing her again, what that really meant. In the back of my mind I was still wondering when she would come home. I couldn't concentrate. Someone suggested "Let the Circle Be Unbroken," so we sang that, and then we sang "De Colores" because everybody knew it. Norma Galvez's husband Cassandro played the guitar.
Then it was quiet again. People shifted slightly on their feet, the same motion repeated many times throughout the crowd, like the dancers at Santa Rosalia. Except unconscious, and unrehearsed. I pulled some letters out of my pocket and read parts of them that Emelina had helped me pick out. I read what Hallie said about not wanting to save the world, that you didn't choose your road for the reward at the end, but for the way it felt as you went along. And I read some things she'd said about nations forgetting. Refusing to sell tractor parts, then wondering why people would turn to Yugoslavia for tractors. I was aware that my reading might seem a little rambling, but I felt there was some logic to it, and people were tolerant. Truly, I think they would have listened to me all day. It occurred to me that such patience might be the better part of love.
I read a quote she'd written me that seemed important, a thing said by Father Fernando Cardenal, who was in charge of the literacy crusade: "You learn to read so you can identify the reality in which you live, so that you can become a protagonist of history rather than a spectator." I waited a minute, while a peacock screamed. Then I read some words of Hallie's: "The very least you can do in your life is to figure out what you hope for. And the most..."
Another peacock suddenly howled nearby. I saw Emelina's twins craning their necks, trying to spot it. I went on:
"And the most you can do is live inside that hope. What I want is so simple I almost can't say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyers nor the destroyed."
I finished by reading the letter from Sister Sabina Martin. She said thousands of people joined us in mourning Hallie. "I know that doesn't make your grief any smaller," she wrote. "But I believe it makes Hallie's presence larger. Certainly, she won't be forgotten."
Several peafowl had hopped to the ground and were making insistent, guttural noises, impatient for food. I saw Glen and Curtis sneak off into the trees in pursuit of a peacock they'd never catch.
"This is what I brought." I knelt by the afghan and set down a pair of Hallie's small black shoes, about second-grade size. They could have been mine, it was impossible to tell, but I said they were Hallie's. I put them in the center of the red-and-black crocheted blanket. "I brought these because they just reminded me of growing up with Hallie. We had to wear these ugly shoes. It was just one of the important things we did together. I don't know. We felt kind of alone sometimes." I stood up and looked at the trees through the curtain of water in my eyes.
Viola laid down some marigolds. She had on her polyester, the funeral dress for all seasons, and she was perspiring; broad damp spots underlined her bosom. "Whenever I think of you kids I think of the cempazuchiles and being up at the graveyard for All Souls'. You were always a very big help."
I looked at Viola. She stared back, rubbing the bridge of her nose. There was the faintest light of a smile.
Several women had things they claimed we'd left in their houses when we played there as children: a doll with unpleasant glass eyes and a gruesomely pockmarked head where its hair had come out; a largish plastic horse; a metal hen that, when you pushed her down on her feet, made a metallic cluck and laid a small marble egg. Also a pink sweater, size 6X. Mrs. Nunez swore it was Hallie's. "It was behind the refrigerator. I didn't find it till last year when the refrigerator give out and we had to call the man to move it out and get us a new one in there. The dust, I hate to tell you! And there was this little sweater of Halimeda Noline's. She used to set up there on top of the refrigerator, because I told her she couldn't drink beer till she was as tall as her daddy."
