Knock Out
Page 75
“Very well, but I won’t show you all the house, it’s too big. You may see the living room. Then you will leave.”
42
SAVICH AND SHERLOCK followed her inside to an immense oak parquet entrance hall. There were fresh flowers in a huge pink vase on an antique table, an ornate Victorian mirror hanging over it, both looking as if they were straight out of Buckingham Palace. An antique umbrella stand, a grouping of several paintings—and then the Victoriana stopped. They stared at four paintings that were raw and elemental, painfully modern. Their constant subject was storm clouds, churning water, and black rocks. In each, there appeared to be a person drowning, pale arms flailing, mouth open in a scream. A terrifying glimpse into the artist’s soul?
“Incredible paintings; who’s the artist?” Savich asked.
“They are incredible, aren’t they? My son Grace painted them. I believe they are museum-quality.”
“Is this a common theme for Grace?”
“I suppose you’re wondering if Grace nearly drowned in a storm? It’s called artistic rendering, it’s a statement of the powers and forces beyond a mortal’s control.” She smirked at both of them, there was no missing it. She turned on her heel and they followed her into the first room on the right, dominated by a Carrera marble fireplace with an imposing portrait of an elderly gentleman above it. The look in his pale eyes was happily mad. It had to be Theodore Backman, her dead husband.
Mrs. Backman walked spry and straight, the cotton housedress falling straight to her calves, her mules sliding over the beautiful polished oak floor. She pointed to an authentic Victorian settee.
They sat, watched her ease into a high-backed chair opposite them. She looked complacently around the large room. “It took five years to build this house and decorate it the way I wanted it. It is now perfect. But my sons, Blessed and Grace, have no interest in anything other than the pork chops on their plates and their nightly dessert of strawberry cheesecake, made for them by Marge at Phelps’s Bakery every day.” She waved her hand around her. “This lovely house, all the flowers, the antiques, it’s all wasted on them. It is not right nor fair. I have asked them what they plan for it when I’m dead.”
“And what did they say?”
“They looked furtively at each other and made up the story that they will marry as soon as they bury me so their wives can keep up my shrine. That’s what they call this beautiful house—my shrine. This is a work of art, I told them, not a ridiculous shrine, and they just looked at each other and shrugged. There is nothing to be done.”
Savich said, “Is that why you want your granddaughter to come live with you, Mrs. Backman? You want Autumn to grow up here and take over your place when you die? Keep up your beautiful gardens, buy more antiques?”
“That would be nice, if that is what she wished,” Mrs. Backman said comfortably, not at all surprised they knew about Autumn. “However, there is no need for more antiques. She is only a little girl, and she wasn’t here long enough for me to determine if she is worthy of such a gift. She carries half her mother’s common blood, after all.”
Whoa. Sherlock said, “Why do you believe your son’s wife is common, ma’am?”
“I had only to speak to her to know what she was.”
Savich said, “You must have been greatly saddened to hear of your youngest son’s death. A shock.”
Sherlock saw her fist tighten in the folds of her housedress. She shook her head as she said, “Poor Martin. He was confused, as are many young men. He would have come home, but that woman, she lured him away and convinced him to keep away from us. I didn’t even know where he lived until she called me, but by then it was too late. He was already dead. Do you know she didn’t preserve his body to be buried here beside his father?” Her voice was high now, and angry. “She had the gall to bring him home in a cheap urn. I wanted to see my boy, touch him one last time, but he was nothing but ashes.”
Sherlock said, “I understand his wife had to make an effort to notify you at all, Mrs. Backman. Actually, she didn’t even know you existed; she didn’t know anything about you. Her husband never spoke of you or his brothers, you see. He was the one who cut all ties to you, not his wife. I understand you called him the Lost One?”
“He was lost, but he would have come home to me. Now it doesn’t matter. His death was all her fault. She seduced my boy and kept him away from his family. She wouldn’t even tell me how or where he died. But how do you know about Martin? Has that woman been telling you tales?”
42
SAVICH AND SHERLOCK followed her inside to an immense oak parquet entrance hall. There were fresh flowers in a huge pink vase on an antique table, an ornate Victorian mirror hanging over it, both looking as if they were straight out of Buckingham Palace. An antique umbrella stand, a grouping of several paintings—and then the Victoriana stopped. They stared at four paintings that were raw and elemental, painfully modern. Their constant subject was storm clouds, churning water, and black rocks. In each, there appeared to be a person drowning, pale arms flailing, mouth open in a scream. A terrifying glimpse into the artist’s soul?
“Incredible paintings; who’s the artist?” Savich asked.
“They are incredible, aren’t they? My son Grace painted them. I believe they are museum-quality.”
“Is this a common theme for Grace?”
“I suppose you’re wondering if Grace nearly drowned in a storm? It’s called artistic rendering, it’s a statement of the powers and forces beyond a mortal’s control.” She smirked at both of them, there was no missing it. She turned on her heel and they followed her into the first room on the right, dominated by a Carrera marble fireplace with an imposing portrait of an elderly gentleman above it. The look in his pale eyes was happily mad. It had to be Theodore Backman, her dead husband.
Mrs. Backman walked spry and straight, the cotton housedress falling straight to her calves, her mules sliding over the beautiful polished oak floor. She pointed to an authentic Victorian settee.
They sat, watched her ease into a high-backed chair opposite them. She looked complacently around the large room. “It took five years to build this house and decorate it the way I wanted it. It is now perfect. But my sons, Blessed and Grace, have no interest in anything other than the pork chops on their plates and their nightly dessert of strawberry cheesecake, made for them by Marge at Phelps’s Bakery every day.” She waved her hand around her. “This lovely house, all the flowers, the antiques, it’s all wasted on them. It is not right nor fair. I have asked them what they plan for it when I’m dead.”
“And what did they say?”
“They looked furtively at each other and made up the story that they will marry as soon as they bury me so their wives can keep up my shrine. That’s what they call this beautiful house—my shrine. This is a work of art, I told them, not a ridiculous shrine, and they just looked at each other and shrugged. There is nothing to be done.”
Savich said, “Is that why you want your granddaughter to come live with you, Mrs. Backman? You want Autumn to grow up here and take over your place when you die? Keep up your beautiful gardens, buy more antiques?”
“That would be nice, if that is what she wished,” Mrs. Backman said comfortably, not at all surprised they knew about Autumn. “However, there is no need for more antiques. She is only a little girl, and she wasn’t here long enough for me to determine if she is worthy of such a gift. She carries half her mother’s common blood, after all.”
Whoa. Sherlock said, “Why do you believe your son’s wife is common, ma’am?”
“I had only to speak to her to know what she was.”
Savich said, “You must have been greatly saddened to hear of your youngest son’s death. A shock.”
Sherlock saw her fist tighten in the folds of her housedress. She shook her head as she said, “Poor Martin. He was confused, as are many young men. He would have come home, but that woman, she lured him away and convinced him to keep away from us. I didn’t even know where he lived until she called me, but by then it was too late. He was already dead. Do you know she didn’t preserve his body to be buried here beside his father?” Her voice was high now, and angry. “She had the gall to bring him home in a cheap urn. I wanted to see my boy, touch him one last time, but he was nothing but ashes.”
Sherlock said, “I understand his wife had to make an effort to notify you at all, Mrs. Backman. Actually, she didn’t even know you existed; she didn’t know anything about you. Her husband never spoke of you or his brothers, you see. He was the one who cut all ties to you, not his wife. I understand you called him the Lost One?”
“He was lost, but he would have come home to me. Now it doesn’t matter. His death was all her fault. She seduced my boy and kept him away from his family. She wouldn’t even tell me how or where he died. But how do you know about Martin? Has that woman been telling you tales?”
