The Waste Lands
III DOOR AND DEMON Chapter Eight
26
JAKE REACHED OUT, PUT his hands on the splintery gate, and pushed. It swung slowly open on screaming, rust-clotted hinges. Ahead of him was an uneven brick path. Beyond the path was the porch. Beyond the porch was the door. It had been boarded shut.
He walked slowly toward the house, heart telegraphing fast dots and dashes in his throat. Weeds had grown up between the buckled bricks. He could hear them rustling against his bluejeans. All his senses seemed to have been turned up two notches. You're not really going in there, are you? a panic-stricken voice in his head asked.
And the answer that occurred to him seemed both totally nuts and perfectly reasonable: All things serve the Beam.
The sign on the lawn read
ABSOLUTELY NO TRESPASSING UNDER PENALTY OF LAW!
The yellowing, rust-stained square of paper nailed to one of the boards crisscrossing the front door was more succinct:
BY ORDER OF NYC HOUSING AUTHORITY THIS PROPERTY CONDEMNED
Jake paused at the foot of the steps, looking up at the door. He had heard voices in the vacant lot and now he could hear them again... but this was a choir of the damned, a babble of insane threats and equally insane promises. Yet he thought it was all one voice. The voice of the house; the voice of some monstrous doorkeeper, roused from its long unpeaceful sleep.
He thought briefly of his father's Ruger, even considered pulling it out of his pack, but what good would it do? Behind him, traffic passed back and forth on Rhinehold Street and a woman was yelling for her daughter to stop holding hands with that boy and bring in the wash, but here was another world, one ruled by some bleak being over whom guns could have no power.
Be true, Jake - stand.
"Okay," he said in a low, shaky voice. "Okay, I'll try. But you better not drop me again."
Slowly, he began to mount the porch steps.
27
THE BOARDS WHICH BARRED the door were old and rotten, the nails rusty. Jake grabbed hold of the top set at the point where they crossed each other and yanked. They came free with a squall that was the gate all over again. He tossed them over the porch rail and into an ancient flowerbed where only witchgrass and dogweed grew. He bent, grasped the lower crossing... and paused for a moment.
A hollow sound came through the door; the sound of some animal slobbering hungrily from deep inside a concrete pipe. Jake felt a sick sheen of sweat begin to break out on his cheeks and forehead. He was so frightened that he no longer felt precisely real; he seemed to have become a character in someone else's bad dream.
The evil choir, the evil presence, was behind this door. The sound of it seeped out like syrup.
He yanked at die lower boards. They came free easily.
Of course. It wants me to come in. It's hungry, and I'm supposed to be the main course.
A snatch of poetry occurred to him suddenly, something Ms. Avery had read to them. It was supposed to be about the plight of modern man, who was cut off from all his roots and traditions, but to Jake it suddenly seemed that the man who had written that poem must have seen this house: / will show you something different from either/Your shadow in the morning striding behind you/Or your shadow at evening rising to meet you;/I will show you...
"I'll show you fear in a handful of dust," Jake muttered, and put his hand on the doorknob. And as he did, that clear sense of relief and surety flooded him again, the feeling that this was it, this time the door would open on that other world, he would see a sky untouched by smog and industrial smoke, and, on the far horizon, not the mountains but the hazy blue spires of some gorgeous unknown city.
He closed his fingers around the silver key in his pocket, hoping the door was locked so he could use it. It wasn't. The hinges screamed and flakes of rust sifted down from their slowly revolving cylinders as the door opened. The smell of decay struck Jake like a physical blow: wet wood, spongy plaster, rotting laths, ancient stuffing. Below these smells was another - the smell of some beast's lair. Ahead was a dank, shadowy hallway. To the left, a staircase pitched and yawed its crazy way into the upper shadows. Its collapsed banister lay splintered on the hallway floor, but Jake was not foolish enough to think it was just splinters he was looking at. There were bones in that litter, as well - the bones of small animals. Some did not look precisely like animal bones, and these Jake would not look at overlong; he knew he would never summon the courage to go further if he did. He paused on the threshold, screwing himself up to take the first step. He heard a faint, muffled sound, very hard and very rapid, and realized it was his own teeth chattering in his head.
Why doesn't someone stop me? he thought wildly. Why doesn't some-body passing on the sidewalk shout "Hey, you! You're not supposed to be in there - can'tcha read?"
But he knew why. Pedestrians stuck mostly to the other side of this street, and those who came near this house did not linger.
Even if someone did happen to look, they wouldn't see me, because I'm not really here. For better or worse, I've already left my world behind. I've started to cross over. His world is somewhere ahead. This ...
This was the hell between.
Jake stepped into the corridor, and although he screamed when the door swung shut behind him with the sound of a mausoleum door being slammed, he wasn't surprised.
Down deep, he wasn't surprised at all.
28
ONCE UPON A TIME there had been a young woman named Detta Walker who liked to frequent the honky-tonks and roadhouses along Ridgeline Road outside of Nutley and on Route 88 down by the power-lines, out-side of Amhigh. She had had legs in those days, and, as the song says, she knew how to use them. She would wear some tight cheap dress that looked like silk but wasn't and dance with the white boys while the band played all those ofay party tunes like "Double Shot of My Baby's Love" and "The Hippy-Hippy Shake." Eventually she would cut one of the honkeys out of the pack and let him lead her back to his car in the parking lot. There she would make out with him (one of the world's great soul-kissers was Detta Walker, and no slouch with the old fingernails, either) until he was just about insane... and then she'd shut him down. What happened next? Well, that was the question, wasn't it? That was the game. Some of them wept and begged - ^all right, but not great. Some of them raved and roared, which was better.
And although she had been slapped upside the head, punched in the eye, spat upon, and once kicked in the ass so hard she had gone sprawling in the gravel parking lot of The Red Windmill, she had never been raped. They had all gone home with the blue balls, every damned ofay one of them. Which meant, in Detta Walker's book, that she was the reigning champion, the undefeated queen. Of what? Of them. Of all those crewcut, button-down, tightass honkey motherfuckers.
Until now.
There was no way to withstand the demon who lived in the speaking ring. No doorhandles to grab, no car to tumble out of, no building to run back into, no cheek to slap, no face to claw, no balls to kick if the ofay sumbitch was slow getting the message.
The demon was on her... and then, in a flash, it - he - was in her.
She could feel it - him - pressing her backward, even though she could not see it - him. She could not see its - his - hands, but she could see their work as her dress tore violently open in several places. Then, suddenly, pain. It felt as though she were being ripped open down there, and in her agony and surprise she screamed. Eddie looked around, his eyes narrowing.
"I'm all right!" she yelled. "Go on, Eddie, forget about me! I'm all right!"
But she wasn't. For the first time since Detta had strode onto the sexual battlefield at the age of thirteen, she was losing. A horrid, engorged coldness plunged into her; it was like being fucked with an icicle.
Dimly, she saw Eddie turn away and begin drawing in the dirt again, his expression of warm concern fading back into the terrible, concen-trated coldness she sometimes felt in him and saw on his face. Well, that was all right, wasn't it? She had told him to go on, to forget her, to do what he needed to do in order to bring the boy over. This was her part of Jake's drawing and she had no right to hate either of the men, who had not twisted her arm - or anything else - to make her do it, but as the coldness froze her and Eddie turned away from her, she hated them both; could, in fact, have torn their honkey balls off.
Then Roland was with her, his strong hands were on her shoulders and although he didn't speak, she heard him: Don't fight. You can't win if you fight - you can only die. Sex is its weapon, Susannah, but it's also its weakness.
Yes. It was always their weakness. The only difference was that this time she was going to have to give a little more - but maybe that was all right. Maybe in the end, she would be able to make this invisible honkey demon pay a little more.
She forced herself to relax her thighs. Immediately they spread apart, pushing long, curved fans in the dirt. She threw her head back into the rain which was now pelting down and sensed its face lolling just over hers, eager eyes drinking in every contorted grimace which passed over her face.
She reached up with one hand, as if to slap... and instead, slid it around the nape of her demon rapist's neck. It was like cupping a palmful of solid smoke. And did she feel it twitch backward, surprised at her caress? She tilted her pelvis upward, using her grip on the invisible neck to create the leverage. At the same time she spread her legs even wider, splitting what remained of her dress up the side-seams. God, it was huge!
"Come on," she panted. "You ain't gonna rape me. You ain't. You want t'fuck me? I fuck you. I give you a fuckin like you ain't nevah had! Fuck you to death!"
She felt the engorgement within her tremble; felt the demon try, at least momentarily, to draw back and regroup.
"Unh-unh, honey," she croaked. She squeezed her thighs inward, pinning it. "De fun jus' startin'." She began to flex her butt, humping at the invisible presence. She reached up with her free hand, interlaced all ten fingers, and allowed herself to fall backward with her hips cocked, her straining arms seeming to hold nothing. She tossed her sweat-damp hair out of her eyes; her lips split in a sharklike grin.
Let me go! a voice cried out in her mind. But at the same time she could feel the owner of the voice responding in spite of itself.
"No way, sugar. You wanted it ... now you goan get it." She thrust upward, holding on, concentrating fiercely on the freezing cold inside her. "I'm goan melt that icicle, sugar, and when it's gone, what you goan do then?" Her lips rose and fell, rose and fell. She squeezed her thighs mercilessly together, closed her eyes, clawed more deeply into the unseen neck, and prayed that Eddie would be quick.
She didn't know how long she could do this.
29
THE PROBLEM, JAKE THOUGHT, was simple: somewhere in this dank, terrible place was a locked door. The right door. All he had to do was find it. But it was hard, because he could feel the presence in the house gathering. The sound of those dissonant, gabbling voices was beginning to merge into one sound - a low, grating whisper.
And it was approaching.
A door stood open to the right. Beside it, thumbtacked to the wall, was a faded daguerreotype which showed a hanged man dangling like a piece of rotten fruit from a dead tree. Beyond it was a room that had once been a kitchen. The stove was gone, but an ancient icebox - the land with the circular refrigeration drum on top - stood on the far side of the hilly, faded linoleum. Its door gaped open. Black, smelly stuff was caked inside and had trickled down to form a long-congealed puddle on the floor. The kitchen cabinets stood open. In one he saw what was probably the world's oldest can of Snow's Clam Fry-Ettes. Poking out of another was the head of a dead rat. Its eyes were white and seemingly in motion, and after a moment Jake realized that the empty sockets were filled with squirming maggots.
Something fell into his hair with a flabby thump. Jake screamed in surprise, reached for it, and grasped something that felt like a soft, bris-tle-covered rubber ball. He pulled it free and saw it was a spider, its bloated body the color of a fresh bruise. Its eyes regarded him with stupid malevolence. Jake threw it against the wall. It broke open and splattered there, legs twitching feebly.
Another one dropped onto his neck. Jake felt a sudden painful bite just below the place where his hair stopped. He ran backward into the hall, tripped over the fallen banister, fell heavily, and felt the spider pop. Its innards - wet, feverish, and slippery - slid between his shoulder-blades like warm egg-yoke. Now he could see other spiders in the kitchen doorway. Some hung on almost invisible silken threads like obscene plumb-bobs; others simply dropped on the floor in a series of muddy plops and scuttered eagerly over to greet him.
Jake flailed to his feet, still screaming. He felt something in his mind, something that felt like a frayed rope, starting to give way. He supposed it was his sanity, and at that realization, Jake's considerable courage finally broke. He could bear this no longer, no matter what the stake. He bolted, meaning to flee if he still could, and realized too late that he had turned the wrong way and was running deeper into The Mansion instead of back toward the porch.
He lunged into a space too big to be a parlor or living room; it seemed to be a ballroom. Elves with strange, sly smiles on their faces capered on the wallpaper, peering at Jake from beneath peaked green caps. A mouldy couch was pushed against one wall. In the center of the warped wooden floor was a splintered chandelier, its rusty chain lying in snarls among the spilled glass beads and dusty teardrop pendants. Jake skirted the wreck, snatching one terrified glance back over his shoulder. He saw no spiders; if not for the nastiness still trickling down his back, he might have believed he had imagined them.
He looked forward again and came to a sudden, skidding halt. Ahead, a pair of French doors stood half-open on their recessed tracks. Another hallway stretched beyond. At the end of this second corridor stood a closed door with a golden knob. Written across the door - or perhaps carved into it - were two words:
THE BOY
Below the doorknob was a filigreed silver plate and a keyhole.
I found it! Jake thought fiercely. I finally found it! That's it! That's the door!
From behind him a low groaning noise began, as if the house was beginning to tear itself apart. Jake turned and looked back across the ballroom. The wall on the far side of the room had begun to swell outward, pushing the ancient couch ahead of it. The old wallpaper shud-dered; the elves began to ripple and dance. In places the paper simply snapped upward in long curls, like windowshades which have been released too suddenly. The plaster bulged forward in a pregnant curve. From beneath it, Jake could hear dry snapping sounds as the lathing broke, rearranging itself into some new, as-yet-hidden shape. And still the sound increased. Only it was no longer precisely a groan; now it sounded like a snarl.
He stared, hypnotized, unable to pull his eyes away.
The plaster didn't crack and then vomit outward in chunks; it seemed to have become plastic, and as the wall continued to bulge, making an irregular white bubble-shape from which scraps and draggles of wallpaper still hung, the surface began to mold itself into hills and curves and valleys. Suddenly Jake realized he was looking at a huge plastic face that was pushing itself out of the wall. It was like looking at someone who has walked headfirst into a wet sheet.
There was a loud snap as a chunk of broken lath tore free of the rippling wall. It became the jagged pupil of one eye. Below it, the wall writhed into a snarling mouth filled with jagged teeth. Jake could see fragments of wallpaper clinging to its lips and gums.
One plaster hand tore free of the wall, trailing an unravelling brace-let of rotted electrical wire. It grasped the sofa and threw it aside, leaving ghostly white fingermarks on its dark surface. More lathing burst free as the plaster fingers flexed. They created sharp, splintery claws. Now the face was all the way out of the wall and staring at Jake with its one wooden eye. Above it, in the center of its forehead, one wallpaper elf still danced. It looked like a weird tattoo. There was a wrenching sound as the thing began to slide forward. The hall doorway tore out and became a hunched shoulder. The thing's one free hand clawed across the floor, spraying glass droplets from the fallen chandelier.
Jake's paralysis broke. He turned, lunged through the French doors, and pelted down the second length of hallway with his pack bouncing and his right hand groping for the key in his pocket. His heart was a runaway factory machine in his chest. Behind him, the thing which was crawling out of The Mansion's woodwork bellowed at him, and although there were no words, Jake knew what it was saying; it was telling him to stand still, telling him that it was useless to run, telling him there was no escape. The whole house now seemed alive; the air resounded with splintering wood and squalling beams. The humming, insane voice of the doorkeeper was everywhere.
Jake's hand closed on the key. As he brought it out, one of the notches caught in the pocket. His fingers, wet with sweat, slipped. The key fell to the floor, bounced, dropped through a crack between two warped boards, and disappeared.
30
"HE'S IN TROUBLE!" SUSANNAH heard Eddie shout, but the sound of his voice was distant. She had plenty of trouble herself... but she thought she might be doing okay, just the same.
I'm goan melt that icicle, sugar, she had told the demon. I'm goan melt it, and when it's gone, what you goan do then?
She hadn't melted it, exactly, but she had changed it. The thing inside her was certainly giving her no pleasure, but at least the terrible pain had subsided and it was no longer cold. It was trapped, unable to disengage. Nor was she holding it in with her body, exactly. Roland had said sex was its weakness as well as its weapon, and he had been right, as usual. It had taken her, but she had also taken it, and now it was as if each of them had a finger stuck in one of those fiendish Chinese tubes, where yanking only sticks you tighter.
She hung onto one idea for dear life; had to, because all other conscious thought had vanished. She had to hold this sobbing, frightened, vicious thing in the snare of its own helpless lust. It wriggled and thrust and convulsed within her, screaming to be let go at the same time it used her body with greedy, helpless intensity, but she would not let it go free.
And what's gonna happen when I finally do let go? she wondered desperately. What's it gonna do to pay me back?
She didn't know.
JAKE REACHED OUT, PUT his hands on the splintery gate, and pushed. It swung slowly open on screaming, rust-clotted hinges. Ahead of him was an uneven brick path. Beyond the path was the porch. Beyond the porch was the door. It had been boarded shut.
He walked slowly toward the house, heart telegraphing fast dots and dashes in his throat. Weeds had grown up between the buckled bricks. He could hear them rustling against his bluejeans. All his senses seemed to have been turned up two notches. You're not really going in there, are you? a panic-stricken voice in his head asked.
And the answer that occurred to him seemed both totally nuts and perfectly reasonable: All things serve the Beam.
The sign on the lawn read
ABSOLUTELY NO TRESPASSING UNDER PENALTY OF LAW!
The yellowing, rust-stained square of paper nailed to one of the boards crisscrossing the front door was more succinct:
BY ORDER OF NYC HOUSING AUTHORITY THIS PROPERTY CONDEMNED
Jake paused at the foot of the steps, looking up at the door. He had heard voices in the vacant lot and now he could hear them again... but this was a choir of the damned, a babble of insane threats and equally insane promises. Yet he thought it was all one voice. The voice of the house; the voice of some monstrous doorkeeper, roused from its long unpeaceful sleep.
He thought briefly of his father's Ruger, even considered pulling it out of his pack, but what good would it do? Behind him, traffic passed back and forth on Rhinehold Street and a woman was yelling for her daughter to stop holding hands with that boy and bring in the wash, but here was another world, one ruled by some bleak being over whom guns could have no power.
Be true, Jake - stand.
"Okay," he said in a low, shaky voice. "Okay, I'll try. But you better not drop me again."
Slowly, he began to mount the porch steps.
27
THE BOARDS WHICH BARRED the door were old and rotten, the nails rusty. Jake grabbed hold of the top set at the point where they crossed each other and yanked. They came free with a squall that was the gate all over again. He tossed them over the porch rail and into an ancient flowerbed where only witchgrass and dogweed grew. He bent, grasped the lower crossing... and paused for a moment.
A hollow sound came through the door; the sound of some animal slobbering hungrily from deep inside a concrete pipe. Jake felt a sick sheen of sweat begin to break out on his cheeks and forehead. He was so frightened that he no longer felt precisely real; he seemed to have become a character in someone else's bad dream.
The evil choir, the evil presence, was behind this door. The sound of it seeped out like syrup.
He yanked at die lower boards. They came free easily.
Of course. It wants me to come in. It's hungry, and I'm supposed to be the main course.
A snatch of poetry occurred to him suddenly, something Ms. Avery had read to them. It was supposed to be about the plight of modern man, who was cut off from all his roots and traditions, but to Jake it suddenly seemed that the man who had written that poem must have seen this house: / will show you something different from either/Your shadow in the morning striding behind you/Or your shadow at evening rising to meet you;/I will show you...
"I'll show you fear in a handful of dust," Jake muttered, and put his hand on the doorknob. And as he did, that clear sense of relief and surety flooded him again, the feeling that this was it, this time the door would open on that other world, he would see a sky untouched by smog and industrial smoke, and, on the far horizon, not the mountains but the hazy blue spires of some gorgeous unknown city.
He closed his fingers around the silver key in his pocket, hoping the door was locked so he could use it. It wasn't. The hinges screamed and flakes of rust sifted down from their slowly revolving cylinders as the door opened. The smell of decay struck Jake like a physical blow: wet wood, spongy plaster, rotting laths, ancient stuffing. Below these smells was another - the smell of some beast's lair. Ahead was a dank, shadowy hallway. To the left, a staircase pitched and yawed its crazy way into the upper shadows. Its collapsed banister lay splintered on the hallway floor, but Jake was not foolish enough to think it was just splinters he was looking at. There were bones in that litter, as well - the bones of small animals. Some did not look precisely like animal bones, and these Jake would not look at overlong; he knew he would never summon the courage to go further if he did. He paused on the threshold, screwing himself up to take the first step. He heard a faint, muffled sound, very hard and very rapid, and realized it was his own teeth chattering in his head.
Why doesn't someone stop me? he thought wildly. Why doesn't some-body passing on the sidewalk shout "Hey, you! You're not supposed to be in there - can'tcha read?"
But he knew why. Pedestrians stuck mostly to the other side of this street, and those who came near this house did not linger.
Even if someone did happen to look, they wouldn't see me, because I'm not really here. For better or worse, I've already left my world behind. I've started to cross over. His world is somewhere ahead. This ...
This was the hell between.
Jake stepped into the corridor, and although he screamed when the door swung shut behind him with the sound of a mausoleum door being slammed, he wasn't surprised.
Down deep, he wasn't surprised at all.
28
ONCE UPON A TIME there had been a young woman named Detta Walker who liked to frequent the honky-tonks and roadhouses along Ridgeline Road outside of Nutley and on Route 88 down by the power-lines, out-side of Amhigh. She had had legs in those days, and, as the song says, she knew how to use them. She would wear some tight cheap dress that looked like silk but wasn't and dance with the white boys while the band played all those ofay party tunes like "Double Shot of My Baby's Love" and "The Hippy-Hippy Shake." Eventually she would cut one of the honkeys out of the pack and let him lead her back to his car in the parking lot. There she would make out with him (one of the world's great soul-kissers was Detta Walker, and no slouch with the old fingernails, either) until he was just about insane... and then she'd shut him down. What happened next? Well, that was the question, wasn't it? That was the game. Some of them wept and begged - ^all right, but not great. Some of them raved and roared, which was better.
And although she had been slapped upside the head, punched in the eye, spat upon, and once kicked in the ass so hard she had gone sprawling in the gravel parking lot of The Red Windmill, she had never been raped. They had all gone home with the blue balls, every damned ofay one of them. Which meant, in Detta Walker's book, that she was the reigning champion, the undefeated queen. Of what? Of them. Of all those crewcut, button-down, tightass honkey motherfuckers.
Until now.
There was no way to withstand the demon who lived in the speaking ring. No doorhandles to grab, no car to tumble out of, no building to run back into, no cheek to slap, no face to claw, no balls to kick if the ofay sumbitch was slow getting the message.
The demon was on her... and then, in a flash, it - he - was in her.
She could feel it - him - pressing her backward, even though she could not see it - him. She could not see its - his - hands, but she could see their work as her dress tore violently open in several places. Then, suddenly, pain. It felt as though she were being ripped open down there, and in her agony and surprise she screamed. Eddie looked around, his eyes narrowing.
"I'm all right!" she yelled. "Go on, Eddie, forget about me! I'm all right!"
But she wasn't. For the first time since Detta had strode onto the sexual battlefield at the age of thirteen, she was losing. A horrid, engorged coldness plunged into her; it was like being fucked with an icicle.
Dimly, she saw Eddie turn away and begin drawing in the dirt again, his expression of warm concern fading back into the terrible, concen-trated coldness she sometimes felt in him and saw on his face. Well, that was all right, wasn't it? She had told him to go on, to forget her, to do what he needed to do in order to bring the boy over. This was her part of Jake's drawing and she had no right to hate either of the men, who had not twisted her arm - or anything else - to make her do it, but as the coldness froze her and Eddie turned away from her, she hated them both; could, in fact, have torn their honkey balls off.
Then Roland was with her, his strong hands were on her shoulders and although he didn't speak, she heard him: Don't fight. You can't win if you fight - you can only die. Sex is its weapon, Susannah, but it's also its weakness.
Yes. It was always their weakness. The only difference was that this time she was going to have to give a little more - but maybe that was all right. Maybe in the end, she would be able to make this invisible honkey demon pay a little more.
She forced herself to relax her thighs. Immediately they spread apart, pushing long, curved fans in the dirt. She threw her head back into the rain which was now pelting down and sensed its face lolling just over hers, eager eyes drinking in every contorted grimace which passed over her face.
She reached up with one hand, as if to slap... and instead, slid it around the nape of her demon rapist's neck. It was like cupping a palmful of solid smoke. And did she feel it twitch backward, surprised at her caress? She tilted her pelvis upward, using her grip on the invisible neck to create the leverage. At the same time she spread her legs even wider, splitting what remained of her dress up the side-seams. God, it was huge!
"Come on," she panted. "You ain't gonna rape me. You ain't. You want t'fuck me? I fuck you. I give you a fuckin like you ain't nevah had! Fuck you to death!"
She felt the engorgement within her tremble; felt the demon try, at least momentarily, to draw back and regroup.
"Unh-unh, honey," she croaked. She squeezed her thighs inward, pinning it. "De fun jus' startin'." She began to flex her butt, humping at the invisible presence. She reached up with her free hand, interlaced all ten fingers, and allowed herself to fall backward with her hips cocked, her straining arms seeming to hold nothing. She tossed her sweat-damp hair out of her eyes; her lips split in a sharklike grin.
Let me go! a voice cried out in her mind. But at the same time she could feel the owner of the voice responding in spite of itself.
"No way, sugar. You wanted it ... now you goan get it." She thrust upward, holding on, concentrating fiercely on the freezing cold inside her. "I'm goan melt that icicle, sugar, and when it's gone, what you goan do then?" Her lips rose and fell, rose and fell. She squeezed her thighs mercilessly together, closed her eyes, clawed more deeply into the unseen neck, and prayed that Eddie would be quick.
She didn't know how long she could do this.
29
THE PROBLEM, JAKE THOUGHT, was simple: somewhere in this dank, terrible place was a locked door. The right door. All he had to do was find it. But it was hard, because he could feel the presence in the house gathering. The sound of those dissonant, gabbling voices was beginning to merge into one sound - a low, grating whisper.
And it was approaching.
A door stood open to the right. Beside it, thumbtacked to the wall, was a faded daguerreotype which showed a hanged man dangling like a piece of rotten fruit from a dead tree. Beyond it was a room that had once been a kitchen. The stove was gone, but an ancient icebox - the land with the circular refrigeration drum on top - stood on the far side of the hilly, faded linoleum. Its door gaped open. Black, smelly stuff was caked inside and had trickled down to form a long-congealed puddle on the floor. The kitchen cabinets stood open. In one he saw what was probably the world's oldest can of Snow's Clam Fry-Ettes. Poking out of another was the head of a dead rat. Its eyes were white and seemingly in motion, and after a moment Jake realized that the empty sockets were filled with squirming maggots.
Something fell into his hair with a flabby thump. Jake screamed in surprise, reached for it, and grasped something that felt like a soft, bris-tle-covered rubber ball. He pulled it free and saw it was a spider, its bloated body the color of a fresh bruise. Its eyes regarded him with stupid malevolence. Jake threw it against the wall. It broke open and splattered there, legs twitching feebly.
Another one dropped onto his neck. Jake felt a sudden painful bite just below the place where his hair stopped. He ran backward into the hall, tripped over the fallen banister, fell heavily, and felt the spider pop. Its innards - wet, feverish, and slippery - slid between his shoulder-blades like warm egg-yoke. Now he could see other spiders in the kitchen doorway. Some hung on almost invisible silken threads like obscene plumb-bobs; others simply dropped on the floor in a series of muddy plops and scuttered eagerly over to greet him.
Jake flailed to his feet, still screaming. He felt something in his mind, something that felt like a frayed rope, starting to give way. He supposed it was his sanity, and at that realization, Jake's considerable courage finally broke. He could bear this no longer, no matter what the stake. He bolted, meaning to flee if he still could, and realized too late that he had turned the wrong way and was running deeper into The Mansion instead of back toward the porch.
He lunged into a space too big to be a parlor or living room; it seemed to be a ballroom. Elves with strange, sly smiles on their faces capered on the wallpaper, peering at Jake from beneath peaked green caps. A mouldy couch was pushed against one wall. In the center of the warped wooden floor was a splintered chandelier, its rusty chain lying in snarls among the spilled glass beads and dusty teardrop pendants. Jake skirted the wreck, snatching one terrified glance back over his shoulder. He saw no spiders; if not for the nastiness still trickling down his back, he might have believed he had imagined them.
He looked forward again and came to a sudden, skidding halt. Ahead, a pair of French doors stood half-open on their recessed tracks. Another hallway stretched beyond. At the end of this second corridor stood a closed door with a golden knob. Written across the door - or perhaps carved into it - were two words:
THE BOY
Below the doorknob was a filigreed silver plate and a keyhole.
I found it! Jake thought fiercely. I finally found it! That's it! That's the door!
From behind him a low groaning noise began, as if the house was beginning to tear itself apart. Jake turned and looked back across the ballroom. The wall on the far side of the room had begun to swell outward, pushing the ancient couch ahead of it. The old wallpaper shud-dered; the elves began to ripple and dance. In places the paper simply snapped upward in long curls, like windowshades which have been released too suddenly. The plaster bulged forward in a pregnant curve. From beneath it, Jake could hear dry snapping sounds as the lathing broke, rearranging itself into some new, as-yet-hidden shape. And still the sound increased. Only it was no longer precisely a groan; now it sounded like a snarl.
He stared, hypnotized, unable to pull his eyes away.
The plaster didn't crack and then vomit outward in chunks; it seemed to have become plastic, and as the wall continued to bulge, making an irregular white bubble-shape from which scraps and draggles of wallpaper still hung, the surface began to mold itself into hills and curves and valleys. Suddenly Jake realized he was looking at a huge plastic face that was pushing itself out of the wall. It was like looking at someone who has walked headfirst into a wet sheet.
There was a loud snap as a chunk of broken lath tore free of the rippling wall. It became the jagged pupil of one eye. Below it, the wall writhed into a snarling mouth filled with jagged teeth. Jake could see fragments of wallpaper clinging to its lips and gums.
One plaster hand tore free of the wall, trailing an unravelling brace-let of rotted electrical wire. It grasped the sofa and threw it aside, leaving ghostly white fingermarks on its dark surface. More lathing burst free as the plaster fingers flexed. They created sharp, splintery claws. Now the face was all the way out of the wall and staring at Jake with its one wooden eye. Above it, in the center of its forehead, one wallpaper elf still danced. It looked like a weird tattoo. There was a wrenching sound as the thing began to slide forward. The hall doorway tore out and became a hunched shoulder. The thing's one free hand clawed across the floor, spraying glass droplets from the fallen chandelier.
Jake's paralysis broke. He turned, lunged through the French doors, and pelted down the second length of hallway with his pack bouncing and his right hand groping for the key in his pocket. His heart was a runaway factory machine in his chest. Behind him, the thing which was crawling out of The Mansion's woodwork bellowed at him, and although there were no words, Jake knew what it was saying; it was telling him to stand still, telling him that it was useless to run, telling him there was no escape. The whole house now seemed alive; the air resounded with splintering wood and squalling beams. The humming, insane voice of the doorkeeper was everywhere.
Jake's hand closed on the key. As he brought it out, one of the notches caught in the pocket. His fingers, wet with sweat, slipped. The key fell to the floor, bounced, dropped through a crack between two warped boards, and disappeared.
30
"HE'S IN TROUBLE!" SUSANNAH heard Eddie shout, but the sound of his voice was distant. She had plenty of trouble herself... but she thought she might be doing okay, just the same.
I'm goan melt that icicle, sugar, she had told the demon. I'm goan melt it, and when it's gone, what you goan do then?
She hadn't melted it, exactly, but she had changed it. The thing inside her was certainly giving her no pleasure, but at least the terrible pain had subsided and it was no longer cold. It was trapped, unable to disengage. Nor was she holding it in with her body, exactly. Roland had said sex was its weakness as well as its weapon, and he had been right, as usual. It had taken her, but she had also taken it, and now it was as if each of them had a finger stuck in one of those fiendish Chinese tubes, where yanking only sticks you tighter.
She hung onto one idea for dear life; had to, because all other conscious thought had vanished. She had to hold this sobbing, frightened, vicious thing in the snare of its own helpless lust. It wriggled and thrust and convulsed within her, screaming to be let go at the same time it used her body with greedy, helpless intensity, but she would not let it go free.
And what's gonna happen when I finally do let go? she wondered desperately. What's it gonna do to pay me back?
She didn't know.
